Lately, I have been considering a hopelessly naive question, namely: What is popular culture for? Or, more to the point how does it function for us as culture, as a way to make sense of the world and express our desires. I have been prompted by this question by two unrelated events. First, I am currently preparing a Freshman Seminar on Politics and Culture which has me reviewing some of the classic arguments about the use and abuse of culture from Williams to Adorno and De Certeau. Second, and more immediately, when I am not working on this course or doing anything productive I am doing what nearly everyone is doing and that is trying to figure out what movie or TV show might pass the time of lockdown.
Friday, July 31, 2020
Saturday, July 18, 2020
Jacques-Louis Lantoine's L'Intelligence de la pratique: Le Concept de disposition chez Spinoza is a contribution to what I have called Spinozist Social Thought. Social thought here is understood as distinct from but not entirely separable from the political, social thought is more concerned with social relations, imitation, affect, and habits, rather rights, powers and states. The book is a dissertation completed under the guidance of Chantal Jaquet and Frédéric Lordon (among others), two of the thinkers at the center of this turn to the socio-political in and after Spinoza. It is also a follow up to Lantoine's Spinoza Après Bourdieu: Politiques des Dispositions.
Sunday, July 05, 2020
Hollywood B pictures often come in twos. Somehow, almost inexplicably, we get two movies about undersea monsters, Leviathan and Deepstar Six, Volcanoes, Dante's Peak and Volcano, and asteroids hitting Earth, Armageddon and Deep Impact. Last year, in the brief interregnum between blockbusters and prestige pictures we got two pictures about people hunting people for sport, or at least we were supposed to.