Live Más, Comrades: Hegel, Marx, and the Dialectics of Diarrhea

The merit of Hegel's Elements of the Philosophy of Right lie less in its solutions, constitutional monarchy, than in the way it grasps the fundamental problem of modern politics. Politics does not begin with individuals in some kind of pre-political state of nature, or as some kind of undifferentiated raw material. Politics, the state, comes after the institutions of the family and civil society, and these institutions are not just functional elements of society, they are, foundational in shaping the perspectives and conflicts of politics. The social is the antechamber of the political. 

Profane Existence: Capital Goes from Woke to MAGA

 In the US every presidential election is treated as a transformation of the nation, of the zeitgeist, like Brecht's line about the government electing itself a new people made true. This is especially true of the chattering pundit class who have greeted every election from Obama to Trump as a transformation not just of government but the nation. There is no small irony in this given low voter turnout, small margins, and anti-democratic institutions like the electoral college. What is often a small shift in numbers is treated as a major shift in values and ideals.

Capitalist Dogs II: Or, What Habit Makes in Smith and Marx

I remember a friend in graduate school saying that our task, at least when it came to writing dissertations, was to write something that a database could not produce. He was a bit ahead of the curve, this was sometime around the late nineties early two thousands. Databases could not write books then, but they are getting closer to it. Or, more to the point, a particular kind of academic monograph, the sort the traces the development of a concept in a single author oeuvre or a comparison of two thinkers, seems to be increasingly the kind of thing that a machine could write. That is the bad news. The good news, is that such monographs seemed useful to write, but never that fun to read in the first place. What if we could leave such books to the machines that generate them and consume them. What kind of writing should we do in the age of (seemingly) intelligent machines?

Demarcations and Determinations: on Hijacked by Elizabeth Anderson

 

Elizabeth Anderson is always an interesting author for me to read because as much as we are both concerned with the same issues, namely,  the politics of work, and the domination of the work ethic over our lives, we approach these issues from fundamentally different philosophical perspectives. Anderson is for the most part working on these issues from within the liberal tradition, construed broadly, while my approach is framed in large part by the traditions of Marxism and Marxist Spinozism. Determination is negation, as Marx cited Spinoza as saying, and it is through reading Anderson that I get a deeper sense of my own philosophical commitments and perspective.

Althusser Effects: Philosophical Practices

 

I have more copies of Reading Capital than any other book

One of the most damming things anyone has ever said to me, at least about academic philosophy was something like the following, "philosophy at universities today is to doing philosophy what art history is to making art." The implication being that emphasis in the modern university is on following different philosophers; tracing their influences and transformations the way that a historian my trace the different periods of an artist. It seemed damming, but not inaccurate, especially with respect to the way that there seems to be a trajectory, at least in continental programs of setting oneself up as [blank] guy, following a philosopher, interpreting, commenting and translating. There are a lot of questions that can be posed about this model, especially now, as philosophy continues to be pushed outside of the university, and forced to reinvent itself in new spaces and publications. 

Doppelgängerland: The New Monster is Us

Monster come in cycles. Werewolves wax and wane in and out of cultural visibility, and even vampires disappear and return. There might even be an end to zombie movies someday. Perhaps the current period will be known as the year of the doppelgänger. I am referring not only to Jordan Peele's brilliant Us, but also the return of the mirror universe in Star Trek: Discovery and Counterpart on Starz. If one wanted to add a literary reference one could include Ted Chiang's story "Anxiety is the Dizziness of Freedom." (I know that there might be more stories and novels, I just reading Exhalation now and cannot resist plugging it).

Dead Ideas Live On: On Elizabeth Anderson's Private Government

I decided to illustrate this post with images from

the Bowdoin College Museum's show on Soviet Art

Reading Elizabeth Anderson's Private Government: How Employers Rule Our Lives (and Why We Don't Talk About It) was an interested and somewhat bewildering experience. At first I thought that I agreed with everything she said, but only differed in how I would say it--a difference of philosophical style or orientation--but, the more I read, the more I thought that there might be some substance to this difference of style. 

Workers without Work: Vonnegut's Player Piano and the Fragment on Machines

In a great little text on the "Fragment on Machines" Paolo Virno makes a comparison between Marx's text and the versus of scripture cited by heroes in Westerns. As Virno states, these scripture verses were cited in such a way that they always seemed appropriate, their meaning shifting with every context. (A more contemporary example of this situational hermeneutic can be found in Pulp Fiction in the scene in which Jules reconsiders his particular scriptural fragment.) As Virno argues the "Fragment on Machines" has been used to develop various theoretical positions, from a critique of the supposed neutrality of scientific knowledge, to the "end of work," only to become, through Virno's work and others, a foundational text in formulating the "general intellect" as a productive force and basis for a new collective subjectivity.