Owls at Dawn: Hegel, Weeks, and the Problem with Work

Hegel famously proclaimed that the owl of Minerva flies at dusk, that an age could only be comprehended in thought as it fades. Any attempt to extract predictions or descriptions of the present from his writing seems doomed from the beginning. However, Hegel’s Philosophy of Right offers an account of the contradiction of work that would seem to contain a kernel of the present. This contradiction comes to light in any attempt to resolve the problem of the rabble, of those who have lost their jobs to the perfection of the division of labor.  The rabble have not only lost their income but their social standing. As Hegel writes: 

Starting from Year Zero: Occupy Wall Street and the Transformations of the Socio-Political

Day and Night, by Occuprint

To consider what Occupy Wall Street has to do with philosophy, to Occupy Philosophy, is already to depart from one of the longstanding dictums of the relationship between philosophy and political invents. I am thinking of Hegel, who as much as he argued that philosophy is its own time comprehended in thought, also famously argued that philosophy can only comprehend its own time retrospectively, can only paint grey on grey once the ink has dried. Occupy, or OWS to use a preferred moniker, preferred not because it ties the movement to the hashtag, making it one of the many instances of the supposed twitter revolutions, but because it abstracts the movement from a specific place making it a general political transformation and not a specific occupation, is very much an active movement. Any statement about it, about its ultimate meaning, possibility, or limitations, must confront the fact that it is still in the process of shaping and forming.

Finite Dialectics: Hegel in Balibar's Citoyen Sujet

As I have noted elsewhere, Balibar includes Hegel in his list of transindividual thinkers, but as such he is something of an exception to the list that also encompasses Spinoza, Marx, and Freud. The latter three are foundational to Balibar’s project, appearing as early as Lire le Capital, albeit some between the lines, and have been the subject of books and essays. Hegel has always been an outlier in this sequence, the enemy of Althusser’s early project and only occasionally showing up in later works. This has changed a bit as of late. 

Futures Past: Mission: Impossible--Ghost Protocol and Hugo

Two quick capsule reviews/analyses:

The Mission: Impossible films come closest to realizing the ideal of a film franchise. They are barely sequels, with minimal narrative threads connecting them, and cannot even be considered remakes or reboots. They are the same basic formula, international intrigue and high tech gadgetry, offered to a series of different directors, DePalma, Woo, Abrams, and now Bird, who become regional managers, adding their own panache and style to the central brand. 

“Let Me Tell You of the Time that Something Occurred”: On Yves Citton’s Mythocratie: Storytelling et Imaginaire de Gauche

Before approaching the idea of “storytelling” that is at the center of Citton’s book, Mythocratie: Storytelling et Imaginaire de Gauche it is important to situate his position with respect to some of the dominant strands of Spinozism. 

Reproducing Relations: On Communization and its Discontents

This is not intended as a review of Communization and its Discontents. If I were to write a review of the book it would simply be: it is a good book, you should read it (hell, you can even downloaded it for free, so there is no excuse not to). This is intended instead as a series of provocations for further reflection.

Horrors Old and New: Remaking Reality

"Horror consists in its always remaining the same—the persistence of 'pre-history'—but is realized as constantly different, unforeseen, exceeding all expectation, the faithful shadow of developing productive forces."—Theodor Adorno

I read somewhere, I do not remember where, that Richard Connell's The Most Dangerous Game is the most frequently filmed, and remade, story. The story, which was first made as a film in 1932, is so simple that it is more of a template for remakes than a story. A man, a hunter, is shipwrecked on an isolated island, where he encounters a even greater hunter, an aristocrat in self imposed exile. The aristocrat shows his new guest his estate, including his trophy room, and eventually proclaims his boredom with hunting. He has hunted all of the world's game, and has come to the conclusion that man is the most dangerous game, the only one that provides sport. The hunt then begins, the aristocrat, the great hunter pursuing the lesser hunter. The tables are eventually turned and the hunter becomes the prey (again). Like I said, it has been remade dozens of times, and has been used by countless tv shows. (of course in some variations the hunter is an alien, but the basic idea holds.)

Debt Collectors: The Economics, Politics, and Morality of Debt

Any philosophical consideration of the politics of debt must perhaps begin with the fact that the entire rhetoric of debt, owing and paying one’s debts, is at once a moral and an economic vocabulary. This point is related to, but opposed to, Nietzsche’s well-known argument in the Genealogy of Morals. Whereas Nietzsche argued that morality, guilt, was at its basis, debit, a payment in suffering for those who could not pay the price, an examination of debt reveals how much paying ones debts, paying one’s bills, is a moral imperative as much as an economic relation.

Forgotten History: Finally Got the News

I do not have much to say about this, but I had to share it far and wide. It is a clip from Finally Got the News, a film about the League of Revolutionary Black Workers. It is inspirational and a reminder of how much we, all of us who are protesting Wall Street, are perhaps finally getting the news. These guys were critiquing Wall Street before it became cool to critique Wall Street.

Constituent Comics: Antonio Negri Illustrated

One of the first texts that introduced me to the Italian political traditions of Operaismo and Autonomia was Italy: Autonomia, Post-Political Politics published by semiotext(e). I found my copy at Moe’s books in Berkeley, and for years it was the pride of my little library. This was years before it was reprinted. I would show it to friends, and offer to make copies at work for whoever was interested, my personal act of auto-reduction and sabotage. I poured over the writings of Negri, Tronti, Bifo, and Virno, struggling to make sense of concepts that would change me over years to come. At the end of this book there is a comic by B. Madaudo Melville, detailing the kidnapping of Aldo Moro. This was immediately legible, brought to life in slashes of ink that immediately suggested a tumultuous time with thick strokes of ink.