The Most Dangerous Myths: On Ready or Not and The Hunt

Hollywood B pictures often come in twos. Somehow, almost inexplicably, we get two movies about undersea monsters, Leviathan and Deepstar Six, Volcanoes, Dante's Peak and Volcano, and asteroids hitting Earth, Armageddon and Deep Impact. Last year, in the brief interregnum between blockbusters and prestige pictures we got two pictures about people hunting people for sport, or at least we were supposed to.

Anti-Racist Noir: On Odds Against Tomorrow

For Ted Stolze

A few weeks into the pandemic lockdown I went through a brief noir phase. It was somehow easier to watch films from a very different time than have the uncanny experience of watching people inhabit a world that looked like the present but was governed by very different social norms. Watching people walk around and go to bars and restaurants unmasked and unaware of social distancing was a bit too much, it was easier to watch people wear fedoras and ties, make calls from pay phones, and live on a diet of alcohol and coffee. A world long gone was easier to watch than a world that had just disappeared.

Work and Production: On Fischbach's Après la Production

One of the common criticism of Marx is that his thought is dominated by production. Philosophers from Jean Baudrillard to Hannah Arendt have criticized Marx for the way in which his thought is dominated by production, with its corollaries of instrumentality, teleology, and mastery of nature. All of these different critiques have taken on added salience and importance in the anthropocene which has exposed the limitations of ideal of production as Promethean overcoming of the limits of nature. Infinite productivity confronts the limits of finite planet and its resources

Neo-Feudalism with Capitalist Characteristics: A Response to Jodi Dean

I had the chance to respond to Jodi Dean's Communism or Neo-Feudalism at Red May. The following are are a revised version of my response. 

Writing Rifts: On Balibar's Écrits I and II

Anyone who has read this blog knows that I am influenced by the work of Etienne Balibar. His work has profoundly shaped my published work. I have even considered writing a book on Balibar, and have dedicated a few notes to what the book would entail. A provisional title of this book is Etienne Balibar: A Study of the Unity of his Thought. The title is stolen from Lukács’ book on Lenin.

Everybody Loves Kim: Breaking Bad on Better Call Saul

Breaking Bad and its spinoff/prequel Better Call Saul began with a premise that is familiar to nearly everyone. A mild mannered chemistry teacher moonlights as a producer of crystal meth in order to save his family from being bankrupted from his cancer diagnosis. However, as the title suggested it was initially a show about, well, breaking bad. This is particularly true of the first season in which Walter White is between two deaths, liberated from his life as a chemistry teacher, he not only cooks meth he also does all those things that we dream of but never do. He confronts someone who is bullying his son and blows up the car of an obnoxious lawyer.

Right Workerism: Or, Class Struggle in Reverse

I had played with the concept of idea of what I called "right workerism," the way in which work, and the value of work, became not a critical perspective on capitalism but its justification previously on this blog.  The protests against lockdowns in various states has provided the opportunity to reflect on its meaning again.

We Other Monsters: Living in the Interregnum with Citton and Rasmi

From Retro-Scifi arts instagram page

Yves Citton and Jacopo Rasmi's book Générations Collapsonautes: Naviguer par temps d'effondrements either arrived at the best time or the worst time.  It showed up in my campus mailbox in the week before spring break. Under different circumstances this would be a great time to get a surprise book. However, this year, the week before spring break was also the week that I learned that my campus would be closed after break, and all classes moved online, it was also the beginning of social distancing, and a week in which I did many things, visit friends, go out to eat, practice aikido, for the last time. In other words, I received it as the world began to collapse.

The Procession of Monstrosities: On the Ghoulish Turn of Contemporary Capitalism

What Follows is heavily indebted to a conversation about zombies and vampires at Red May Seattle in 2017, and is in some sense written as a reflection on the powers of collective thinking (in other words, I am not entirely sure who said what about zombies versus vampires)

In Capital Marx  famously writes, 

"Capital is dead labour, that, vampire-like, only lives by sucking living labour, and lives the more, the more labour it sucks. The time during which the labourer works, is the time during which the capitalist consumes the labour-power he has purchased of him."

It is a great line, one that gave birth to not only memes but also entire subfield dedicated to the analysis of monsters in capital. What follows is a contribution to that study. 

The Return of Lucien Sève: On the Anthropological Turn of Contemporary Marxism

The young Lucien Sève looking a lot like Jon Hamm

In graduate school I only knew one thing about Lucien Sève and I do not even think I had the facts straight. I knew him only as Althusser's interlocutor within the PCF, and I think that I imagined him as some kind of party apparatchik. I only corrected this image very lately, after reading Yves Schwartz as well as Isabell Garo and André Tosel. What is striking to me about Sève's work, at least as much as I have read, is how much of it anticipates and intersects with the anthropological turn in contemporary Marxism, in the work of Balibar and Virno.