There was a moment in the beginning of the COVID pandemic when I thought to myself that surely this would be the end of the anti-vaccination movement. It is one thing to be against vaccines when diseases are rare, and pandemics a distant memory, but another to be against them in the midst of a pandemic in which tens of thousands were dying each week in the US alone. The anti-vax position always seemed like a luxury position, a position of privilege, an individual refusing vaccines is taking advantage of the fact that others are vaccinated around them and cases are rare. Like many things in US politics and culture, individual autonomy is made possible by the existence and occlusion of collective action. It is for that reason that I thought such a position would collapse in the face of an actual pandemic.
Friday, September 05, 2025
Monday, August 25, 2025
Everything is a Weapon if You Hold it Right: On Weapons
The titles of Zach Cregger's films are more riddles and interpretations than descriptions. One could conclude that the "barbarian" of the first film's title refers to the character of the mother, after all she is the one that smashes heads, but, as I said earlier, I think that misses the point that the film is a far deeper reflection on barbarians and civilization. In a similar way, we could conclude that the word "weapons" in the title of the recent film refers to the weaponization of the hypnotized individuals, as is stated in the dialogue. (Oh, yeah, spoiler alert)
Thursday, June 19, 2025
Don't Praise the Machine: AI and the Destruction of Three Ecologies
I was asked to speak at an AI and Ethics panel at my university. What follows is the outline that I am using for my talk.
Sunday, June 15, 2025
The Miasma of Science and Ideology: A Postscript on the New Episteme
Of all of the various regressions under Trump 2.0 the anti-vaxx aspect seems to be the most perplexing. As disturbing as Trump's racism, nationalism, and everything else are, at least you can say that they were there since the beginning. Trump's political career began with calling for the death penalty for the "central park five" and his run for President began with nativist hostility to immigrants. The anti-vaccination stance seems new. The initial COVID vaccines were even developed under Trump, and one can imagine that he could take credit for them, since he loves taking credit for things, even for things that he had nothing to do with, or that have not happened. As Plato noticed, however, demagogues find themselves controlled by the same mob that they seem to control. I have not subjected myself to that much of coverage of Trump's rallies, but the only time I have ever seen Trump's mob ever boo him is when he mentioned vaccines.
Monday, June 09, 2025
Under New Management: Capitalism from Utopia to Dystopia
Saturday, May 31, 2025
Do Your Own Damn Research: The New Episteme of Trump 2.0
Wednesday, April 02, 2025
Workers of the World, Divide! Work and the Constitution of the People
Monday, March 10, 2025
It's the Economy (of) Stupid: Or, Destroying the Economy to Save its Image
Sunday, February 16, 2025
Post-Orwellian: From 1984 to Project 2025
Etienne Balibar titled one of his first essays on Spinoza to appear in English, "Spinoza, The Anti-Orwell." George Orwell is not really discussed in the essay, and the title is only referenced once in the final paragraphs. Balibar writes,
Sunday, January 26, 2025
Living in a Mythocracy: Projecting 2025
Friday, January 17, 2025
The Death of Cool: Silicon Valley and Cultural Capital
Wednesday, November 27, 2024
Who Knows What Evil Lurks in the Hearts of Men...? On Richard Seymour's Disaster Nationalism
Saturday, November 02, 2024
Working Politics: The Divisions and Unity of Labor
Wednesday, September 11, 2024
Towards a Genealogy of Right Workerism: Notes on the Origin of Bizarro World
Monday, August 19, 2024
How to Win Friends and Influence People in the Post-Apocalyptic Wasteland: The Mad Max Films as an Introduction to Political Philosophy
Years ago I was teaching political philosophy and decided to do something interesting with social contract theory. I made the point that the post-apocalypse is our state of nature. Whereas the seventeenth century contemplated the nature of authority and law from the origins of society we confront the same problem from its collapse. In each case human beings outside of the state, whether prior to or post, became the basis for thinking about both human nature, and the nature of the state. I then showed a bunch of clips from The Road Warrior and other films, all of which illustrated the intersecting problem of social contract theory and post-apocalyptic films: how does one go from disorder to order, from violence to authority?
Thursday, August 15, 2024
Just Vibes: A Note on Affect and Politics
Anyone interested in the politics of affect or the connection of affect and politics has to confront the fact that affects are not just a way of making sense of politics, but are increasingly the way politics themselves are presented and talked about. This follows a general tendency to frame not just politics, but all of social life according to the pop affect theory of vibes.
Sunday, July 07, 2024
Farce Before Tragedy: The Post-Satire Present
I used to listen to a film podcast, I forget the name of it, the worked on the premise that there were certain films, that should be outside of discussion, films so good and revered that it did not make sense to talk about them. They were put in a penalty box of sorts. I often thought the same thing about certain passages that appear again and again in theoretical and philosophical discussions of the present. A few that come to mind are Jameson's often cited remark about it being easier to imagine the end of the world than the end of capitalism, Benjamin's "There is no document of civilization which is not at the same time a document of barbarism," and Marx's first time as tragedy, the second time as farce.
Friday, May 10, 2024
2 Apes 2 Planets: On Kingdom of the Planet of the Apes
The recent Planet of the Apes films can be defined by two questions: one internal to the films themselves, to their own universe, albeit with allegorical dimensions, and the other external, to their status as commodities in the culture industry. The first question is what is the nature of the conflict between humans and apes? Is it a natural conflict, a conflict between two species for domination, or is it a political conflict, a conflict between different ways of living. The second question is will audiences watch and identify with apes, with CGI characters, rather than humans played by human actors.
Thursday, April 04, 2024
Leave What World Behind: On Leave the World Behind
Tuesday, March 12, 2024
The Racial Division of Labor: On Sylvie Laurent's Capital et Race
In Kathi Weeks' The Problem with Work she makes an argument about the way in which work produces and reproduces gender. As Weeks writes:
"To say that work is organized by gender is to observe that it is a site where, at a minimum, we can find gender enforced, performed, and recreated. Workplaces are often structured in relation to gendered norms and expectations. Waged work and unwaged work alike continue to be structured by the productivity of gender-differentiated labor, including the gender division of both household roles and waged occupations...Gender is put to work when, for example, workers draw upon gendered codes and scripts as a way to negotiate relationships with bosses and co-workers, to personalize impersonal interactions, or to communicate courtesy, care, professionalism, or authority to clients, students, patients or customers."
Lately I have been thinking about the way in which we could also think about the way in which work is also organized by, and organizing of, other social hierarchies including race. How is work organized by race, or how are racialized codes and scripts put to work in the workplace?