Jonathan Lethem’s little book on They Live (part of a relatively new series on films by Soft Skull Press, a cinematic equivalent of Continuum’s 33-1/3 books on records) offers two beginnings. The first presents the film as a dream, focusing on the things that everyone will remember even years after seeing the film, the glasses, the decoded billboards, and of course this:
Thursday, February 24, 2011
What We Write About When We Write About Movies: Or, Memory in the Age of Youtube
Jonathan Lethem’s little book on They Live (part of a relatively new series on films by Soft Skull Press, a cinematic equivalent of Continuum’s 33-1/3 books on records) offers two beginnings. The first presents the film as a dream, focusing on the things that everyone will remember even years after seeing the film, the glasses, the decoded billboards, and of course this:
Thursday, February 17, 2011
Another Day in the Future: Philip K. Dick and the Philosophy of Science Fiction
The recent news that Michel Gondry planned to make a film based on Ubik convinced me to look at this again. It is an old piece, and one that I wrote for an undergraduate audience. I can’t really say that my thinking on the matter has changed much, however, in part because I have not have had time to revisit it, so I thought that I would post it.
Saturday, February 05, 2011
Isolation and Relation: Notes on Capital
I am teaching Capital, or at least parts of Volume One. This is not the first time that I have done this, I have taught selections of it in my nineteenth century philosophy class and have taught parts of Marx, in some form or another, every year. However, this is the most of the book that I have ever taught, almost all of it over seven weeks. It is also my attempt to break with my past reading, more or less documented in the Micro-Politics book and heavily influenced by Althusser and Negri. Along these lines I have been reading some of the more or less recent interpretations by Arthur, Bidet, and Harvey, as well as collection of essays titled Relire Le Capital edited by Franck Fischbach.
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