I am currently putting together a course on the politics and philosophy of work. The course is a survey of sorts, taking the place of a more general survey of social and political philosophy; it begins with the contradiction between the place of work and the model of work in Plato and Aristotle (with a nod to Rancière) and then continues through Locke, Smith, Hegel, Marx, and Arendt, ending with feminism and then the "immaterial labor" debate (some Virno, Negri, and Sennett). Because the course is a summer course, and thus is packed into these horrendous three hour sessions that meet several times a week, I was thinking of adding some films. These would break up the heavy reading load, and give me time to prepare lectures.
So this has led me to think, albeit in a loose and provisional manner, about the relationship between work and film as I look for suitable films. Last night I watched Blue Collar, which I learned about from Kino Fist. While watching the film two things occured to me. First, there is an almost uncanny relationship between film and modern factory work. The montage is the natural medium for the assembly line: it is impossible to show it any other way. Film and the Fordist assembly line both fragment the body and its gestures, ultimately reassembling them into a different totality than the one organized by the individual. Despite this vague resemblance at the level of technique (or this vague thought of ressemblance) work is unpresentable, at least in terms of the commercial film. A film that captured the reality of work would beyond the point of boring. Film exists as an escape from work.
So anyway, I am trying to think about interesting films about work. Ideally these films would reflect the historical nature of the survey. Despite what I said above it is relatively easy to find films about modern industrial work, but harder to find films about praxis and poesis, or films which critically interrogate possessive individualism. So far I have considered Strike (or something by Eisenstein), Fast Food Nation, Mardi Gras: Made in China, and perhaps even The Wrestler (given what I have written below).
Suggestions?
So this has led me to think, albeit in a loose and provisional manner, about the relationship between work and film as I look for suitable films. Last night I watched Blue Collar, which I learned about from Kino Fist. While watching the film two things occured to me. First, there is an almost uncanny relationship between film and modern factory work. The montage is the natural medium for the assembly line: it is impossible to show it any other way. Film and the Fordist assembly line both fragment the body and its gestures, ultimately reassembling them into a different totality than the one organized by the individual. Despite this vague resemblance at the level of technique (or this vague thought of ressemblance) work is unpresentable, at least in terms of the commercial film. A film that captured the reality of work would beyond the point of boring. Film exists as an escape from work.
So anyway, I am trying to think about interesting films about work. Ideally these films would reflect the historical nature of the survey. Despite what I said above it is relatively easy to find films about modern industrial work, but harder to find films about praxis and poesis, or films which critically interrogate possessive individualism. So far I have considered Strike (or something by Eisenstein), Fast Food Nation, Mardi Gras: Made in China, and perhaps even The Wrestler (given what I have written below).
Suggestions?