The revival of interest in Simondon's term transindividuality to thematize social relations has raised the question of what a politics of transindividuality would mean, or what the very concept of transindividuality offers for politics. As Alberto Toscano argues, this question has as its basis the lack of any real political dimension to Simondon's thought. Despite this lack, or maybe because of it, much of the contemporary revival of Simondon in such thinkers as Stiegler, Virno, Balibar, and Citton, is political, or social-political in orientation. That last qualification is important, because it is my contention that what is at stake in Simondon's concept of transindividuality is not just a rethinking of "the political" (do we really need another?) but a rethinking of the relation between politics and economy.
Tuesday, December 18, 2012
Monday, December 03, 2012
Season Three of Treme is perhaps the season in which the show final came into its own, developing its own particular narrative structure. Sadly it will also be the last full season of the show. Comparisons with The Wire are still unavoidable, but at least at this point they suggest a real difference--a different idea--and not just the relation of lauded original to failed copy. David Simon initially suggested that the difference between these shows was one of positive and negative. As Simon states, Treme is in part an argument for the city.