The recent Planet of the Apes films can be defined by two questions: one internal to the films themselves, to their own universe, albeit with allegorical dimensions, and the other external, to their status as commodities in the culture industry. The first question is what is the nature of the conflict between humans and apes? Is it a natural conflict, a conflict between two species for domination, or is it a political conflict, a conflict between different ways of living. The second question is will audiences watch and identify with apes, with CGI characters, rather than humans played by human actors.