Saturday, August 27, 2011

"Live Every Week Like it is Shark Week": Remarks on the Ecology of the Mediasphere

Friday morning, as the local and national media went on a feeding frenzy of sorts over Hurricane Irene,  complete with radar maps and rain-coated correspondents bracing themselves against the wind and rain, the following image, taken of a TV set in Miami made it onto youtube and into my facebook news feed.

Sunday, August 21, 2011

Please Be Aliens. Please Be Aliens: Limits of the Apocalyptic Imaginary

Aliens have made it the news at least three times in the last week. This is fairly impressive considering the fact that there have been no shortage of actual events to report on (stock market collapse, the fallout from the Uk riots, Syria, etc.). This could be taken as symptomatic of the usual August slow news cycle, less a reflection of an actual lack of newsworthy stories than a collective decision not to reflect on the world.  Past Augusts have brought us such stories as "Shark Attack Summer." August is the month dedicated to frivolous stories that make the rest of the years sound bytes  and pseudo-events look serious by comparison. Taken together, however these reports construct an interesting snapshot of our existing political imaginary, the reflection of our social and political condition in our avoidance of it. 

Thursday, August 11, 2011

The House Always Wins: Austerity Breeds Austerity, Repression Breeds Repression

I have not written anything about the riots/insurrection/looting in the UK for the simple reason that I do not know enough about the context and conditions (of course this hasn't stopped others from doing so). I to not plan to change that now, but I did find an interesting response about the backlash by Owen Jones, author of Chavs: The Demonization of the Working Class. As Jones states:

Saturday, August 06, 2011

Ape Like Imitation: Repetition and Difference in the Planet of the Apes

The Hollywood tendency towards repetition, towards reproduction of the same, which reaches its culmination in recent reboots and remakes must, despite itself, confront history. History not in the sense of fashions, dates, and technology, but the historicity that defines a moment, its structure of feeling--history at the level of subtext rather than text.