Everything is a Weapon if You Hold it Right: On Weapons

 

The titles of Zach Cregger's films are more riddles and interpretations than descriptions. One could conclude that the "barbarian" of the first film's title refers to the character of the mother, after all she is the one that smashes heads, but, as I said earlier, I think that misses the point that the film is a far deeper reflection on barbarians and civilization. In a similar way, we could conclude that the word "weapons" in the title of the recent film refers to the weaponization of the hypnotized individuals, as is stated in the dialogue.  (Oh, yeah, spoiler alert)

Just a Dog: Immediacy and Mediation at the Movies

Watching Superman at the drive-in with Bento (below)

I took my dog to the drive-in, something he loves, and this got me thinking about the status of dogs in contemporary films. James Gunn's Superman is, among many things, the first live action film to depict Superman's dog Krypto. The dog features prominently in the film, in its advertisements, and in its afterlife in memes and. jokes online. 

Lordon (and Lucbert) Vs. Deleuze (and Guattari): On Pulsion

I am going with images of conflict for this one 

As I have remarked here earlier, and in a published piece, one of the things that it is surprising about Frédéric Lordon's work on the organization of desire in capitalism is that he does not mention Deleuze and Guattari's Anti-Oedipus. The omission is striking because of their shared problem, the organization of desire under capitalism, and even their shared reference, Spinoza. As I wrote in the piece in the Affect Theory Reader 2: