Wednesday, February 11, 2026

Which Way Marxist-Spinozist? On Diefenbach's Spinoza in Post-Marxist Philosophy

 

I have a lot of books from the Spinoza Studies series 

One of the best pieces of advice I got in graduate school came from Warren Montag. He was visiting Binghamton University. We were talking about Spinoza and he said to me to the effect of reading Alexandre Matheron, Pierre Macherey, Pierre François Moreau, etc. was absolutely necessary for understanding Spinoza scholarship, and those books would never be translated into English. They were too big, five volumes in Macherey's case, and too niche of an audience. He told me I needed to get to work learning to read French. So I did.

Sunday, February 08, 2026

Untimely Dystopias: On The Long Walk and The Running Man

 



2025 will probably go down in history as a pivotal year in the US's decline into a particular kind of media driven twenty-first century fascism. It is the year that Trump got his paramilitary force, in ICE, it is also the year in which we saw the fourth estate capitulate to the administration, turning over CBS news to a bootlicking blogger, firing comedians, and gutting journalism to pour money into a fawning documentary about the first lady. The times would seem to be ripe for a film dealing with the combination of authoritarian power and media spectacle. We got two, both based on books by Stephen King. Books written over forty years ago. 

Wednesday, February 04, 2026

The Insomnia of Nostalgia: On Berry Gordy's The Last Dragon

 


As it has often been said, movies teach you how to watch them. This pedagogy can take on almost Pavlovian forms as in the case of horror movies such as Jaws, which teaches you to treat a few notes on a tuba as terrifying. However, every film instructs you how to view it, and a lot of the struggle with watching different kinds of films has to with learning how to see things differently. If you come to a Béla Tarr film with John Woo habits you are going to be bored. Our viewing habits make our viewing practices. A lot of our debates about attention are about this process of learning, of how we have had our capacity for attention reduced. Netflix films made to be watched while doing laundry or scrolling on our phone prepare us to watch other films the same way, and when they cannot be viewed that way we get confused. Every film teaches you how to watch it, but only one film I can think of tells you where you should watch it and  that film is The Last Dragon, or, as we are supposed to call Berry Gordy's The Last Dragon.