The Racial Division of Labor: On Sylvie Laurent's Capital et Race

 

In Kathi Weeks' The Problem with Work she makes an argument about the way in which work produces and reproduces gender. As Weeks writes:

"To say that work is organized by gender is to observe that it is a site where, at a minimum, we can find gender enforced, performed, and recreated. Workplaces are often structured in relation to gendered norms and expectations. Waged work and unwaged work alike continue to be structured by the productivity of gender-differentiated labor, including the gender division of both household roles and waged occupations...Gender is put to work when, for example, workers draw upon gendered codes and scripts as a way to negotiate relationships with bosses and co-workers, to personalize impersonal interactions, or to communicate courtesy, care, professionalism, or authority to clients, students, patients or customers."

Lately I have been thinking about the way in which we could also think about the way in which work is also organized by, and organizing of, other social hierarchies including race. How is work organized by race, or how are racialized codes and scripts put to work in the workplace?

Requiem for a Training Montage: Or, Everyone's Crazy for a Self-Made Man

The other day, out of a combination of nostalgia, insomnia, and tribute to Carl Weathers I decide to watch Rocky III. I am not sure why I picked this one. Perhaps because it is one of Weathers' best as he goes from rival to partner, it is also where Rocky goes from scrappy seventies film to full on eighties excess, a process that would be completed in Rocky IV. It also got me thinking of training montages.

The Production of Ignorance: Ideology or Agnotology?

Bento and books

With all of my writing and translating about Spinoza and Marx as of late I am embarrassed to admit that there is a moment of their encounter that I have overlooked. The passage in question is in Chapter Eleven of Volume One of Capital (and I am indebted to Nick Nesbitt for pointing it out). In that passage Marx writes, 

"Vulgar economics, which like the Bourbons 'has really learnt nothing,' relies here as mere semblance as opposed to the law which regulates and determines the phenomena. In anthesis to Spinoza, it believes that 'ignorance is a sufficient reason."

Master and Commander: Or, Must Love Dogs II

 

Commander 

In undergrad I got really into theory, all of it, reading Baudrillard, Deleuze, Debord, Foucault, etc., most definitely etc, all the time. My theory fascination was a byproduct of reading zines and little semiotextes, the more polemical, the more outlandish its claims, the more I loved it. One little book I particularly loved was First and Last Emperors: The Absolute State and the Body of the Despot by Kenneth Dean and Brian Massumi. It is an odd little book, a reading of the Reagan/Bush years framed as much by the legalist philosopher Shang Yang's The Book of Lord Shang as it is by the expected references to Deleuze and Guattari. (Brian Massumi of course translated A Thousand Plateaus). That odd idiosyncratic nature is precisely what I loved about it. I dreamt of writing something similar, not on Reagan and legalism but something which brought together a variety of disparate references to think through a specific problem. I guess my book which talks about Spinoza and Marx along with Breaking Bad and Better Call Saul, might be an attempt to realize that wish. 

Ahead of its Time: On Clockwatchers

 

Clockwatchers is an underrated film. Perhaps it came out too early, missing the slew of films critical of work and cubicles by at least a year. 1999 was the year of Fight Club, Office Space, American Beauty, and The Matrix, which all dealt with an escape from the confines of the cubicle. Or, and this is probably closer to the point, a film focusing on the working lives of four women would never touch the same points of cultural resonance as Fight Club or Office Space, which were as much about the crisis of masculinity as it was about work. It also never had the same afterlife as those films, which gained most of their audience through fancy boxed DVDs and endless repetitions on cable. Luckily the film was made available through streaming on the Criterion Channel, which makes it possible to rectify its status as an overlooked classic.

Everybody Gets to be a Fascist: Or, What Taylor Swift Taught Me About Fascism

 

The Best Joke in Barbie 

Years ago I remember encountering Félix Guattari's little essay, "Everybody Wants to be a Fascist." At the time its title seemed more clever than prescient. (Although it is worth remembering how much fascism, and the encounter with fascism was integral to Deleuze and Guattari's theorizing, well beyond the reference to Reich). Now that we are living in a different relation to fascism the problem posed by Guattari (and Deleuze) of desire seems all the more pertinent and pressing. 

How to Do Things with Hegel: On Gray and Johnson's Phenomenology of Black Spirit

 

Because actual history is rarely linear, let alone teleological, I read the repudiation of Hegel before I ever read Hegel. I had read arguments and polemics against Hegel in Althusser, Deleuze, and Foucault long before I had every cracked Hegel's books. A funny thing happened once I started reading, writing, and teaching Hegel, is that I started to warm up to him. It was not the idea of spirit that appealed to me, or even the dialectic as some overarching logic, but the more limited, finite dialectics of the different figures and moments of consciousness. 

Our Cultural Revolution: Or, the Enshittification of Culture

Thanks to Ron Schmidt for this image 

In John Maynard Keynes essay "Economic Possibilities for Our Grandchildren" one can find the following formulation of the cultural transformation of post-capitalism:

"I see us free, therefore, to return to some of the most sure and certain principles of religion and traditional virtue-that avarice is a vice, that the exaction of usury is a misdemeanour, and the love of money is detestable, that those walk most truly in the paths of virtue and sane wisdom who take least thought for the morrow. We shall once more value ends above means and prefer the good to the useful. We shall honour those who can teach us how to pluck the hour and the day virtuously and well, the delightful people who are capable of taking direct enjoyment in things, the lilies of the field who toil not, neither do they spin. 

For a least another hundred years we must pretend to ourselves and to every one that fair is foul and foul is fair, for foul is useful and fair is not. Avarice and usury and precaution must be our gods for a little longer still. For only they can lead us out of the tunnel of economic necessity into daylight."

It is All Subjective: Marx, Spinoza, and Subjectivity

 

Anyone who has ever taken or taught a philosophy class is familiar with the claim "[Blank] is subjective" in which the [Blank] in question could be anything from literary interpretations to ethical norms. This response effectively ends any and all cultural and philosophical discussion, which is why it is so aggravating. One response is to argue against this claim, to point out that not every interpretation of a poem, novel, or film, is authorized, that there are better or worse interpretations, with respect to cultural version. With respect to the ethical or political arguments it is tempting to point out that the very existence of ethics, of society, presupposes norms that are shared as well as debated and challenged.

Philosophy and/as Politics: In Memory of Toni Negri

 

Like so many I was saddened to learn of the death of Toni Negri. I never really knew him as a person, only very awkwardly meeting him once, but he was someone who fundamentally shaped and transformed philosophy for me. I wrote my first published paper on Negri, a paper that, as is the case with most seminar papers, was an attempt to make sense of the two books I had read, The Savage Anomaly and Marx Beyond Marx.  That it was published is not the important part, really a product of grad school hubris, the important part was that I am not sure if I would have stayed in grad school had I not written it, or found someone willing to read and discuss it with me, shoutout here to Bill Haver. Negri made it possible for me to conjoin doing philosophy and engaging the world politically, to see these as two sides of the same process, the same practice of philosophy. I should mention that this was before Empire, but just barely. I am not saying that to claim that I was into Negri before he was cool, but just that my first encounter with Negri was in some sense with an outsider. He was rarely talked about in classes, and his books were more associated with the para-academic presses of Autonomedia and Semiotexte than the presses that were translating and publishing the big names of theory, Derrida, Deleuze, Lacan, etc.

Commonalities: on Pascucci's Potentia of Poverty

 

There are many different answers to the question of what Marx and Spinoza have in common, theories of ideology, materialism, naturalism, and so on, to name a few that have been discussed on this blog. To this list Margherita Pascucci adds that perhaps what Spinoza and Marx have in common is the common itself. This is is claim put forward in Potentia of Poverty: Marx Reads Spinoza (part of the Historical Materialism series, currently it is only out as a hardcover, but it will be out from Haymarket in the Spring). 

What the Nose Knows: On Chantal Jaquet's Philosophie de L'Odorat

 

I am a follower of Chantal Jaquet's work. I have read her works on Spinoza with great interest, and have also been a big fan of her work on the concepts of transclass and nonreproduction. I have also read her little book on the body. In short, have read most of what she has written, but I have been very reluctant to pick up her book on smell, Philosophie de L'odorat. I met her once, and we talked about her book, her interest in the arts and aesthetics of smell, and all I could think was that I was glad that she was interested in it, but I could not imagine being interested. I just did not find smell that interesting."You do you," I thought as I listened to her explain Kôdô, the Japanese arts of scents, secretly wishing she was writing another book on Spinoza. 

Demarcations and Determinations: on Hijacked by Elizabeth Anderson

 

Elizabeth Anderson is always an interesting author for me to read because as much as we are both concerned with the same issues, namely,  the politics of work, and the domination of the work ethic over our lives, we approach these issues from fundamentally different philosophical perspectives. Anderson is for the most part working on these issues from within the liberal tradition, construed broadly, while my approach is framed in large part by the traditions of Marxism and Marxist Spinozism. Determination is negation, as Marx cited Spinoza as saying, and it is through reading Anderson that I get a deeper sense of my own philosophical commitments and perspective.

The Prison House of Emotional Labor: On Red Eye

Red Eye is destined to always be something of a footnote. Everyone involved in the film will always be known for something else, Wes Craven for the Nightmare on Elm Street movies, and the entire cast from Rachel McAdams and Cillian Murphy to Brian Cox will always be known for other films. Moreover, its premise, which spends over two thirds of the film not just on a plane, but on two seats of a plane--a sort of bottle episode of a movie--seems hard to imaging being made today in which it is always bigger spectacles that get audiences. 

Differences and Differends: One More Note on the Politics of Education

 

I know that I should not even bother to engage with such things, but I saw someone retweet this from Christopher Rufo on X-Twitter. I think that it is revealing about two fundamental different ways of thinking about diversity and differences in a university. First, as Judith Butler states in the video posted below (11:49), that classes in women and gender studies are filled with debate and discussion. This is something that I think anyone who has been in a classroom would probably agree with. I would argue that it extends that it goes beyond gender studies to other subjects of supposed indoctrination such as critical race theory or even Marxism. Christopher Rufo's response to this is to focus not on what happens in such classrooms, he has probably never been in one, but to cite some supposed fact that faculty in gender and interdisciplinary studies are 100% left. I am not sure what he means by that, or if he is including all interdisciplinary programs, but I am going to assume that the left he is referring to is voting patterns, since that is an obsession of many critiques of higher education. 

Return to Doppelgängerland: Naomi Klein's Mirror World

 

Enter the Dragon

When I first read that Naomi Klein wrote a book about being confused for her doppelgänger, Naomi Wolf, I was initially amused. I had written earlier about the doppelgänger as the monster of our times, and it seemed that Klein was confirming that thesis. Klein dealing with Wolf seemed like it might be a fun distraction, but as I read the book, I was immediately struck with the fact that Klein is taking on more than a particular case of mistaken identity. Her book Doppelganger: A Trip into the Mirror World, is in some sense an attempt to make sense of the world we are living in a world dominated by social media doppelgangers in which the work of political and social criticism has its own dark doppelganger in the world of conspiracy theories. 

Nostalgic for Nothing: Industry and Affect

 

this is not a picture of me

The dominance of intellectual property in film is driven by one central affect, or affective composition, nostalgia, the sense that something about the past was once better. It is unclear, however, if this mood is oriented towards the actual films of the recent past, or childhood itself. What is it we are nostalgic for? 

Year Three: Four Ideological Conditions for the Covid Crisis

 

Picture of me practicing aikido in a mask 

(seemed appropriate)

As we look at another surge, another variant, and another school year of Covid, it might be worth thinking about the conditions that made this situation possible. The conditions are, as is so often the case, multiple, including the nature of the virus itself, technological, and economic conditions. What I would like to focus on briefly are the ideological conditions, or the way in which the virus took advantage of social contradictions as much biological weakness. 

Other Scenes: The Ideology of the Economy/The Economy of Ideology

One of the most pernicious effects of the Marxist schema of base and superstructure is that it posits the economy and ideology as two separate and distinct levels. The base is where the economy does its work, silently and materially, and the superstructure does its work reproducing the relations of production by remaining entirely separate and distinct from the economy, by addressing morals, religion, the nation, everything but economic necessity. This rigid division makes it difficult to think of the ideological dimension of the economy and the economic dimension of ideology. 

Barbies Amongst Themselves: Or, What Happens When You Make a Film about a Commodity

 

Watching Barbie reminded me of two essays that I had not read in a long time, Luce Irigaray's "Women on the Market " and "Commodities Among Themselves". In those essays Irigaray considers to what extent Marx's theory of the commodity form can be used to make sense of the status of women in society. Irigaray's texts takes as its start the idea of a society founded on an exchange of women, an idea integral to structural and psychoanalytic theories of kinship. From this it is possible to posit that relations among women would have the fantastic character of Marx's brief foray into describing the world of commodities amongst themselves.