I was asked to speak at an AI and Ethics panel at my university. What follows is the outline that I am using for my talk.
I was asked to speak at an AI and Ethics panel at my university. What follows is the outline that I am using for my talk.
Of all of the various regressions under Trump 2.0 the anti-vaxx aspect seems to be the most perplexing. As disturbing as Trump's racism, nationalism, and everything else are, at least you can say that they were there since the beginning. Trump's political career began with calling for the death penalty for the "central park five" and his run for President began with nativist hostility to immigrants. The anti-vaccination stance seems new. The initial COVID vaccines were even developed under Trump, and one can imagine that he could take credit for them, since he loves taking credit for things, even for things that he had nothing to do with, or that have not happened. As Plato noticed, however, demagogues find themselves controlled by the same mob that they seem to control. I have not subjected myself to that much of coverage of Trump's rallies, but the only time I have ever seen Trump's mob ever boo him is when he mentioned vaccines.
As someone who teaches philosophy at a regional public university, which is to say a school without a lot of students who could ever imagine majoring in philosophy, I have never found a pop culture reference to philosophy I did not like. I have talked about Breaking Bad and work, Fight Club and alienation, and Get Out and W.E.B. Dubois to name a few. I have never done anything with The Matrix though. I have never shown it or screened it.
Etienne Balibar titled one of his first essays on Spinoza to appear in English, "Spinoza, The Anti-Orwell." George Orwell is not really discussed in the essay, and the title is only referenced once in the final paragraphs. Balibar writes,
The two phrases you hear when you lose someone, at least in the US, are "Sorry for your loss" and "May their memory be a blessing." The two phrases are diametrically and not dialectically opposed. The first emphasizes absence, the living person that is gone, while the second emphasizes presence, the memories that remain. The first of these phrases are more common, more generic, while the second is more often heard from Jewish friends, at least in my experience, and is a translation of the Hebrew "zichrona livricha." The second has begun to be used more widely, either in act of cultural appropriation or cultural tribute. I have always thought it to be the better of the two phrases.
The one two punch of Miller's Crossing and Barton Fink are probably peak Coen brothers for me. They have other films that are considered classics (No Country for Old Men, Fargo, The Big Lebowski, etc.), but they are two films that typify everything that comes to mind when one thinks of the Coen Brothers, the obsessions with classic Hollywood films and the culture that produced them; the attention to dialogue that turns every line into both an archive and a poem; and a dark sense of humor. A few years ago, thanks to the Maine International Film Festival I got to see the film with Gabriel Byrne speaking afterwards. One of my best movie going experiences.