Friday, May 23, 2025
Logic of Alternation: Spinoza’s Prehistory of Ideology (and its Marxist History)
Saturday, April 26, 2025
The World is a Vampire: On Sinners
Saturday, April 05, 2025
The Spectacle Goes to the Movies: The Pop Life of Debord
As someone who teaches philosophy at a regional public university, which is to say a school without a lot of students who could ever imagine majoring in philosophy, I have never found a pop culture reference to philosophy I did not like. I have talked about Breaking Bad and work, Fight Club and alienation, and Get Out and W.E.B. Dubois to name a few. I have never done anything with The Matrix though. I have never shown it or screened it.
Wednesday, April 02, 2025
Workers of the World, Divide! Work and the Constitution of the People
Wednesday, March 19, 2025
The Work of Philosophy: Spinoza, Hegel, and Macherey on Theoretical Practice
Monday, March 10, 2025
It's the Economy (of) Stupid: Or, Destroying the Economy to Save its Image
Sunday, February 16, 2025
Post-Orwellian: From 1984 to Project 2025
Etienne Balibar titled one of his first essays on Spinoza to appear in English, "Spinoza, The Anti-Orwell." George Orwell is not really discussed in the essay, and the title is only referenced once in the final paragraphs. Balibar writes,
Sunday, January 26, 2025
Living in a Mythocracy: Projecting 2025
Friday, January 17, 2025
The Death of Cool: Silicon Valley and Cultural Capital
Monday, January 06, 2025
Nothing Less: On Death, Knowledge, and Affects
Saturday, December 28, 2024
A Blessing and a Curse: In Memory of my Mom
The two phrases you hear when you lose someone, at least in the US, are "Sorry for your loss" and "May their memory be a blessing." The two phrases are diametrically and not dialectically opposed. The first emphasizes absence, the living person that is gone, while the second emphasizes presence, the memories that remain. The first of these phrases are more common, more generic, while the second is more often heard from Jewish friends, at least in my experience, and is a translation of the Hebrew "zichrona livricha." The second has begun to be used more widely, either in act of cultural appropriation or cultural tribute. I have always thought it to be the better of the two phrases.
Tuesday, December 10, 2024
An (Éminence) Gris Area: Thinking and Acting in Miller's Crossing
The one two punch of Miller's Crossing and Barton Fink are probably peak Coen brothers for me. They have other films that are considered classics (No Country for Old Men, Fargo, The Big Lebowski, etc.), but they are two films that typify everything that comes to mind when one thinks of the Coen Brothers, the obsessions with classic Hollywood films and the culture that produced them; the attention to dialogue that turns every line into both an archive and a poem; and a dark sense of humor. A few years ago, thanks to the Maine International Film Festival I got to see the film with Gabriel Byrne speaking afterwards. One of my best movie going experiences.
Wednesday, November 27, 2024
Who Knows What Evil Lurks in the Hearts of Men...? On Richard Seymour's Disaster Nationalism
Saturday, November 02, 2024
Working Politics: The Divisions and Unity of Labor
Sunday, October 20, 2024
Why We Write: Or, Blogging as a Philosophical Practice
Wednesday, September 18, 2024
Automatic Against the People: Reading, Writing, and AI
Wednesday, September 11, 2024
Towards a Genealogy of Right Workerism: Notes on the Origin of Bizarro World
Monday, September 02, 2024
Marx's Basement Demo Tapes: On Monferrand's La Nature du Capital
As many readers of this blog probably know, there is a new translation of Capital coming out this month. I am sure that this new translation will have a great deal of new revelations drawn from the work of considering the text in light of its multiple variations and Marx's notes. However, it seems to me that the book that we are in need of reconsidering is not so much Capital but the Economic and Philosophical Manuscripts of 1844.
Friday, August 23, 2024
Indentured Fan Service: On Alien: Romulus
I once heard someone remark about Alien that during the Reagan era the capitalist hegemony against workers was so complete that the only way to represent the struggles of working class was to set to set it in space. Such a comment is not entirely accurate about the film, it came out in 1979 after all, but does say something about its place in popular culture. Alien introduced the space worker, worried about the bonus situation and struggle with a company that deemed him or her expendable. The space worker has appeared again and again in film, in Outland, Moon, and The Expanse.
Monday, August 19, 2024
How to Win Friends and Influence People in the Post-Apocalyptic Wasteland: The Mad Max Films as an Introduction to Political Philosophy
Years ago I was teaching political philosophy and decided to do something interesting with social contract theory. I made the point that the post-apocalypse is our state of nature. Whereas the seventeenth century contemplated the nature of authority and law from the origins of society we confront the same problem from its collapse. In each case human beings outside of the state, whether prior to or post, became the basis for thinking about both human nature, and the nature of the state. I then showed a bunch of clips from The Road Warrior and other films, all of which illustrated the intersecting problem of social contract theory and post-apocalyptic films: how does one go from disorder to order, from violence to authority?