Boys Becoming Men, Men Becoming Wolves: on The Wolf of Snow Hollow and Werewolves Within

 

Wolves, even werewolves it seems, travel in packs. One hardly gets just one werewolf movie. In nineteen eighty one the pack included Wolfen, The Howling, and An American Werewolf in London.  (As the links indicate I have blogged about each of them, but for a thorough account of the year of the wolf I recommend Drew Strombeck's piece on the LA Review of Books) More recently, we had The Wolf of Snow Hollow and Werewolves Within quickly follow each other in the last two years. Two is less than three, but what is impressive in this case is that they are not only both horror comedies, to varying degrees, but are also both movies that use werewolves to address a different monster, masculinity.

Elites and Capital: or, Foucault and Marx Again

I wrote this review of Jacques Bidet's Foucault with Marx a few years ago for an online review called Contrivers (after having reviewed the French original here) I thought of it the other day as I was reading tweets about two perennial questions on that site, the relation of Marx and Foucault, and the relation of elites, cultural elites, to economic power. For Bidet these are in some sense the same question. Since the review is no longer available and all links to the site seem to be broken I thought that I would repost it here. 

If Althusser was a Spinozist...: on Juan Domingo Sánchez Estop's Althusser et Spinoza

 

One of Althusser's fundamental lessons, and one that remains beyond the controversies about epistemic breaks, the young Marx, and the real Marx, is that Marx's philosophy and politics must be located not at this or that isolated quote or passage, but as traversing the entirety of his work. The condition of immanent causality is a reading of philosophy itself as the immanent unfolding of ideas that are all the more important because they are pervasive, located not in this or that passage, but in the entirety of the work. To some extent Juan Domingo Sánchez Estop's  Althusser et Spinoza: Détours et Retours does a similar work on Althusser, searching for Althusser's Spinozism not just in the few well known passages in the ISA essay, Lire Le Capital, and Elements of Self-Criticism where Spinoza is cited by name, but also in the way that Spinoza's thought or practice of philosophy traverses Althusser's work.

Gonna Leave You All Severed: Initial Reflections on Severance

 

I was slow to get to Severance. Partly this has to do with conditions of contemporary cultural consumption. The shift from movies to television and from television to streaming, accelerated by the pandemic, has raised particular hurdles to watching new television shows even as everything can be viewed from one's home. Every new show comes with the subscription to a new service (or a way to work around it) and the proliferation of these services with their own branding and marketing enough to make me miss the catholic nature of movie theaters. Of the different services I had particular disdain for Apple TV, mostly due to the cross brand marketing and the lingering aftertaste of itunes as an app. Anything that could immediately disseminate a U2 album should not only be shunned but the people who made it should be banished. 

Operation Blue Thunder: Or, First time as Violence, Second time as Action

 

Recently in a bit of odd exhaustion and insomnia I watched, or rather rewatched, the movie Blue Thunder. In case you have not seen it I will tell you the plot. It stars Roy Scheider as a LAPD helicopter pilot and Vietnam vet. He is introduced to a helicopter with the code named "Blue Thunder" which is part of an increased security preparations for the 1984 Olympics. The helicopter is an armored attack and surveillance helicopter complete with a machine gun, powerful directional microphones, and infrared cameras. Over the course of the movie, and I am hazy on the details or may have fallen asleep, Scheider comes to the realization the helicopter is not only an unacceptable militarization of the police but would function as the basis of an intolerable expansion of powers of the state's powers of surveillance. After the requisite helicopter dog fights and car chases he parks the helicopter in front of a freight train and destroys it. 

Two Great Tastes Part Two: The Introduction to Fischbach's La Production des Hommes

 

What follows is a draft of the translation of the introduction to Franck Fischbach's La Production des hommes: Marx avec Spinoza which will be published by Edinburgh University Press as Marx with Spinoza: Production, Alienation, History. Posted here in preparation for my forthcoming event with the Marx Education Project, and as part of the process of editing it. 

The relation of Marx with Spinoza has often been driven—most notably with respect to Althusser and the Althusserian tradition—by the project of “giving Marxism the metaphysics that it needs,” according to an expression used by Pierre Macherey specifically with respect to Althusser. The intention was laudable, but times having changed, our project can no longer be exactly that. We begin from the idea that the philosophy specific to Marx or the specifically Marxist philosophy is still largely unknown, that Marx as a philosopher is still largely and for the most part unknown. For a long time this was due reasons largely external to the thought of Marx: initially it was due to the urgency of militant practice, then it remains thanks to theme of the rupture with philosophy that is expressed by the eleventh Thesis on Feuerbach or in The German Ideology, any reading of Marx that is resolutely philosophical was suspected as being ideological. Then on the verge of orthodoxy, several authors—and not insignificant ones—both at the heart of the history of Marxism , and outside of it , have maintained that there is a critique of philosophy in Marx , this critique would still be a determinant practice of philosophy. However, the ignorance of “Marx’s philosophy” equally lies in reasons that internal to Marx’s work: the critical relation that Marx enters with philosophy implies in effect that the latter appears in terms of disconcerting new features, which are not those of a doctrine expressed as such (Marx, who never completed any of his grand works, always refused any dogmatic or systematic presentation of his thoughts), but are also not that of fragments. Neither systematic, nor fragmentary, philosophy with respect to Marx, appears diluted, omnipresent but always mixed and everywhere combined with elements of the discourse of history, of political economy, but also the sciences of nature and literature. It is not necessary to reconstruct or reconstitute the philosophy of Marx: that would suggest that it is only present in a fragmentary and dispersed state, and that it is necessary to reassemble and unify—which would lead to dogmatic and systemic presentation that is perfectly alien to the Marxist practice of philosophy. 

Imagination, Fiction, Knowledge: Towards a Spinozist Theory of Cultural Production Part II (This Time it is Mythical)

 

This post is more or less a sequel to this one, and like that first one it is in some sense a commentary on Macherey's A Theory of Literary Production. 

Any Bird Whatsoever: on Fujita's Le Ciné-Capital: D'Hitchcock à Ozu

In his conversations with François Truffaut Alfred Hitchcock insisted that the birds in the film of the same name had to be ordinary birds, seagulls, ravens, sparrows, and not the more spectacular, and arguably more frightening hawks and eagles. This particular anecdote is relayed in Fujita's Le Ciné-Capital and in some sense it functions as the lynchpin that connects Deleuze's understanding of film, Marx's understanding of Capital, and revolutionary politics.

Are Geeks Born or Made: On Nightmare Alley (movies and the book)

 

Let us start with a general question: why should someone interest in philosophy also be interested in film? Granted there are probably as many versions of answers to this as there are philosophical perspectives and orientations. To propose an answer from my, Marxist-Spinozist, perspective is that what is instructive about film is the relationship between the immediacy of their reception and the mechanisms of their construction. In other words, a film is experienced intensely, as fear, joy, sadness, disgust and even boredom, this is its immediacy, but to some extent it can also be viewed in terms of how those reactions are created, how images, sounds, dialogue, and music create these effects. Viewed this way film is not different from other art forms, literature and music could be discussed the same way, but what distinguishes film is the way that this production is both effaced and traceable. This distinguishes it from literature: a reader will perhaps always be able to find the relevant sentences and passages that produce effects on them, might even quote them, but the intensity in the reception of a film is not related to any understanding of its composition. It also distinguishes it from music in that knowing how music is produced requires something of an education in music, but to delve into the construction of the film one often only needs the pause button.

Looking Back in the Mirror of Production: An Introduction to an Unwritten Book on Deleuze and Guattari and Marx

 

This summer I have a book coming out from the Historical Materialism Book series. You can read more about it here (as well as freak out at its price, but it will be out in paperback from Haymarket in a year). The book is mostly made up of pieces that have appeared before in various journals, some now defunct, although there are a few new pieces, an essay on Sohn-Rethel that I never found a home for, as well as a piece on "Spontaneous ideology" and Deleuze and Guattari's idea of social subjection/machinic enslavement. 

Despair and Indignation: The Inevitable Reflection on Covid (with Marx and Spinoza)

 The last thing anyone needs is another hot take on Covid. At least that is how things appear, in the early months of the pandemic there were a series of reflections that came too soon and undercooked, as everyone reached into familiar concepts such as "biopower"  or "totalitarianism" to make sense of what was happening. It seemed to be in good taste to not say anything, to go on as if things would return to normal, but now, two years in, not saying anything about COVID feels a little like watching one of the films or television shows that have gone in production since the pandemic started, in which the actors inhabit a pre-covid world while the masks and precautions stay off of camera. The reality of these images has begun to appear as fantastic as any CGI trip to a far off planet or the distant past. All television and film, not just those set in the Marvel Cinematic Universe or the Star Wars Universe, begin to appear as a depiction of an alternate timeline, one in which the COVID pandemic did not take place. 

Get Meta With Me: On Matrix Resurrections

 

The Matrix is a film about work. Long before Neo escapes the matrix he has to break out of a much more mundane space of confinement, the office cubicle. The film is thus part of that odd series of films that came out in 1999 that were about the confines of the cubicle and the working day, a list that includes Office Space, Fight Club, and American Beauty (and Being John Malkovich). It was an odd year, in the midst of the dot-com bubble and the Clinton third way, a year that on the surface was good for capitalism, the movies were telling a different story, a story in which work and the office was sucking the life out of people. An idea which The Matrix made literal in its dystopian future of energy sucking pods, in other words, cubicles 2199. 

Red Spinozism II: Lordon Vs. Fischbach

My Spinoza and Marx finger puppets 

 This is a follow up to a few previous posts, most importantly my previous post on alienation in Marxist-Spinozist Thought. It is also an effect of my continuing work translating Franck Fischbach's La Production des hommes: Marx Avec Spinoza. I have never translated a whole book before and the experience is a little like some kind of possession or mind meld, in the best possible way, where I find myself thinking in and through another person's writing. Of course this is often the case when writing on someone, but translation takes it to a different level. To update a hierarchy familiar to a lot of people, there are books that I have read, books that I have read and taught, books that I have read and written about, and now, standing above the rest, a book I have translated. 

Homework: Three Recent Books on Work

 

Because I regularly teach a class on work, and have my own book on work coming out, I make it a habit to keep up on all of the writing on work, from theoretical studies and polemics, to ethnographies and studies of contemporary political economy. It is getting to be quite a lot to keep up with, what seemed like a slow trickle a decade or so ago when Kathi Weeks The Problem with Work came out, has become a steady stream of books. Perhaps this is a sign of changing ideas about work, but at the very least it means that there is a lot to keep up with in reading critical studies of work. What follows is a short review of three of the recent ones.

Shine On: We Are All in Room 237 Now

 

Danny Lloyd rocking the same haircut I had as a kid

Of all of the various concepts and neologisms that populate A Thousand Plateaus that of the "regime of signs" is one that never really caught on. It has not had the same effects as nomadology, rhizome, virtual, assemblage, body without organs, become etc., If I had to offer a quick explanation of  this it is perhaps because the idea of the sign, and of a regime of signs, still seems like a remnant of an earlier period, more structuralist than post-structuralist. It is for that reason that it has remained something of a B-side or a deep cut, taking a clue from Deleuze and Guattari's assertion that the book is more like album with different plateau songs than a linear progression. 

Other Scenes: Balibar and Tosel on Class Struggle and the Struggle over Identity

Intersection of base and superstructure 

 

One of the pressing issues of recent years has been the relationship between class struggle, or the struggle against capitalism more broadly and the struggle over identity. While this relationship has taken on ridiculous, and almost caricatured forms in the left quasi-public sphere in the US, becoming the split between Bernie Bros and the supposed identity politics of the democratic party, or between “the dirtbag” and “woke left.” It raises serious issues about the relationship between the state, as the manager of ethnic and racial identities, and the economy as the hidden abode of exploitation. What I propose here is less an entry into the fray of current debates between identity politics and class struggle, but to look at the way in which two Marxist philosophers, Etienne Balibar and André Tosel, tried to think both the interrelation and irreducibly of identity struggle and class struggle. Balibar and Tosel do so by drawing from the philosophical resources of Marx and Spinoza, but in different ways. For Balibar it is a matter of thinking of “the other scene” of economic struggle, the imaginary constitution of national identities that all economic struggles necessarily pass through. There is no class struggle that does not pass through the struggle of identities, just as there is no struggle over identities that does not pass through economic relations. In a different manner, Tosel focuses less on the relation between imaginary and real, taken as the state and the economy, than on the relation between what could be considered generic struggles over the very conditions of subjectivity, and conflicts over the very nature of identity. The first have to do with struggles over our basic capacities, to live, work, and speak, while the latter has to do with the way in which living, working, and speaking are always actualized in specific identities and communities. The two struggles cannot be separated. I argue that read together, Balibar and Tosel’s political anthropologies offer a way to not only theorize the intersection of class conflict and identity conflict, but a way to think the relation between the state and economy.

The Dialectic of Conspiracy and Trust: Hegel and Conspiracy Theories

 

Don't worry I will explain why I picked this image

This post is an immediate follow up or even sequel to an earlier post on Spinoza and conspiracy theories. In a more oblique way it is also a follow up to something that I have said repeatedly on this blog, that not only is there more to Hegel's Phenomenology of Spirit than the master and slave, but that other dialectical scenes or figures can also be wrested from the linear progression of Hegel's thought to become the basis of social and political criticism. Kojeve can't have all of the fun.

Coming Soon (well soonish): The Double Shift

 

I have submitted the (hopefully) final changes of the manuscript of my third book* to Verso. As an answer to the question, What is your book about? and as part of the labor of self-promotion that is required of all of us in the twenty-first century, even those published with radical presses, I am posting part of the introduction here: 

Reworking Hegel: Philosophies of Work in Macherey's Petit Riens

 

Images from Property is No Longer Theft 

There is a line that I used to attribute to Roland Barthes, "those who do not reread are doomed to read the same book over and over again." I liked the riddle like nature of the phrase, and the way it seemed to posit a first read which is often a restating of one's already existence preconceptions, hence the rereading of the same book under different covers, against a rereading that discovers difference in repetition. 

Fighting for Subjection as if it was Rebellion: Spinoza and Servitude Today

 

I am illustrating this post with images of the Punisher as a symbol of authority as rebellion

As I have already indicated on this blog more than once, Spinoza's formulation of subjection remains in some sense a guiding question for me. 

"...the supreme mystery of despotism, its prop and stay, is to keep men in a state of deception, and with the specious title of religion to cloak the fear with which they must be held in check, so that they will fight for their servitude as if for salvation, and count it no shame but the highest honour, to spend their blood and lives for the glorification of one man…" --Spinoza, Tractatus Theologico-Politicus 1670

So much so that I would be willing to agree with Gilles Deleuze and Félix Guattari when they repeated it three hundred years later. 

"That is why the fundamental problem of political philosophy is still precisely the one that Spinoza saw so clearly, and that Wilhelm Reich rediscovered: “Why do men fight for their servitude as stubbornly as though it were their salvation?” --Gilles Deleuze and Félix Guattari, Anti-Oedipus: Capitalism and Schizophrenia 1972

However, I have begun to think that it is time to update the question, or at least change its formulation, it increasingly seems to me that in the current era it is not so much servitude that is fought for as salvation, but subjection that is fought for as rebellion, or misrecognized as rebellion. 

The Use and Abuse of Alienation for Life: A few Remarks on Marx

I give twitter credit for making this joke, 

but if you ask me the movie did not do enough with this great title

What follows are a few reflections on "alienation" drawn in part from a paper I presented at Wabash College last Spring in a virtual campus visit.  Posted as a response to the current debate about the concept online. 

What Does it Mean to be a Materialist: Thoughts After Spinoza after Marx

 

Of all of the zoom events, conferences, and presentations that I have attended (zoomed?) this year the one dedicated to Spinoza after Marx was the most engaging, the one most capable of breaking through the zoom screen that makes everything feel further away even as it is so close, inches away even. This is in part because of the participants, but it was also due to the work of the organizers who, in an interesting variation on organizing around a common theme, presented a common set of theses that were discussed and debated over the course of the three days. Of course as great as this was as an online event it is hard not to think about how those conversations would have continued over dinner, at bars, and coffee shops. The event did create a collective act of thought, of thinking in common, but as Spinoza and Marx both know there is no thinking together, thinking in common, without acting and feeling in common.

Self-Interest is the Sincerest Form of Flattery: On No Sudden Move

Posted in memory of Lauren Berlant who once took time out of her busy schedule to debate a previous post about Soderbergh. 

 

After a mercurial career Steven Soderbergh seems to have more or less settled into the heist film. The three Oceans films, Logan Lucky (dubbed Oceans 7-11 for the way it transposed those films into a different class milieu), and now No Sudden Move. The return to the same genre does not dispense with the shifts and shimmers through other genres and styles, the latest is a noir period piece set in fifties Detroit, and with that shift comes another shift. Jameson states that heist films are in some sense about the representation of work. Or, more to the point, he states that they are about unalienated work. However, I would like to turn his assertion, as offhand as it is, into a question. How does the heist film represent work, and how does this representation relate to the question of how work is undertaken and understood in capitalism.

Theological Breaks: Tosel on Marx's Critique of Religion

 

I never really knew what to do with this meme, but it fits the topic. 

Also sorry. 

At the beginning of his trajectory of criticism Marx wrote, "the criticism of religion is the premise of all criticism." There is perhaps no contemporary philosopher who has taken up that challenge than André Tosel. Tosel has returned to the question not just of Marx and religion, but more broadly of the role of the critique of religion in radical thought from Spinoza onward. Tosel's trajectory in some sense begins and ends with the question of the critique of religion, beginning with Spinoza ou le crépuscule de la Servitude : Essai sur le Traité Théologico-Politique and nearly ends with Nous citoyens laïques et fraternels? : dans le labyrinthe du complexe économico-politico-théologique (I realize that the book on Gramsci and the little book on Emancipation came out afterwards). Throughout his life Tosel was interested in thinking through the relationship between religion and capitalism, and to what extent the critique of religion could be used to make sense of our subjection and attachment to capitalism. 

Anti-Hobbes: Waging War on the War of All Against All

 

Top Image The Road Warrior, bottom image people in the US putting gasoline in plastic bags

I am going to assume that most readers of a blog like this are familiar with Hobbes' description of the state of nature as "nasty, brutish, and short." His assertion that without an overwhelming authority human beings will engage in a life of perpetual strife and war, killing each other for whatever their desire. Hobbes gives what could be considered three proofs for this state of nature, the first is the new world, or at least an armchair speculative colonial imagination of it, the second is the behavior of kings and states towards each other, but the third, which actually appears first, is the presence of this state of nature in civilized state breaking through, like weeds through concrete. As Hobbes writes, 

Put Your Halo On: Marx’s Critiques of Moralism

Not a good episode, but a great observation

There are those that claim that Marx’s criticism of capitalism is ultimately grounded in a moral or ethical consideration of humanity, that notions such as alienation, exploitation, and so on, only make sense against the backdrop  of some kind of morality, of a picture of an ideal life, in which human beings are treated more or less as ends in themselves. Marx investigations of the horrendous working conditions of early capitalism, from child labor to deadly working conditions, would seem to have as its critical basis a moral understanding of human flourishing However, what I would like to propose is that Marx’s thought, at least at its most provocative, is less a moral criticism of capitalism, than a materialist criticism of moralism. 

Woke Capital and Twilight of the Bourgeoisie (How is that for a title?).

 

For anyone who has any historical memory whatsoever the controversies around woke seem like just a remake, or possible a reboot, of the panic around political correctness a generation before. It is a matter of the same fears, the same threats, and the same bad guys and good guys. College campuses and postmodernism are once again to blame, and the same hallowed traditions are threatened. On one reading, and it is a fairly plausible one, is that this is just a repetition. The only reason that the names have been changed, the only reason terms like "woke" have replaced "political correctness" is that repeating the old name would be admitting that this new threat is quite old. Political correctness came and went, but the skies did not darken and the rivers did not run red with blood. New logo, same package. There are, however, some differences and these differences have something to say about the changing nature of culture and power.

Go Figure: On Lordon's Figures du Communisme

 

Frédéric Lordon has published four books since Capitalisme, désire, et Servitude in 2010, not counting collections of essays, edited volumes and even a play. I have reviewed them all here, and continued to use Lordon's writing in my research on the intersection of affect, imagination, and work in capitalism. I remain profoundly influenced by his interventions. However, I will be honest, prolific authors make me skeptical, even nervous. Sometimes publishing overtakes thinking and one ends up with a kind of diminishing returns as later books only put finishing touches on earlier innovations. 

How the World of Fiction Became True: On The Department of Truth

 

From The Department of Truth by James Tynion and Martin Simmonds

I have not been to my local comic book shop in a year. I went once in the summer to pickup a few things curbside, but that limited to me to pick up a few things in my pull list. I have not walked idly through the racks looking at new comics, searching for that elusive new thing that would be worth reading in a long time. I have even spent some time going back and reading old comics (as I blogged about here.) The collected trade of the first five issues of The Department of Truth is the first thing that I have read in months to break this pandemic imposed interruption of comics.

Althusser Effects: Philosophical Practices

 

I have more copies of Reading Capital than any other book

One of the most damming things anyone has ever said to me, at least about academic philosophy was something like the following, "philosophy at universities today is to doing philosophy what art history is to making art." The implication being that emphasis in the modern university is on following different philosophers; tracing their influences and transformations the way that a historian my trace the different periods of an artist. It seemed damming, but not inaccurate, especially with respect to the way that there seems to be a trajectory, at least in continental programs of setting oneself up as [blank] guy, following a philosopher, interpreting, commenting and translating. There are a lot of questions that can be posed about this model, especially now, as philosophy continues to be pushed outside of the university, and forced to reinvent itself in new spaces and publications. 

Everyone is Disposable: On Ogilvie's L' Homme Jetable

Yesterday, two things happened, one I spent a better portion of the day preparing a lecture on James Boggs' The American Revolution ; Pages from a Negro Worker's Notebook (You can listen to it here for what it is worth) and thinking about his description of automation and the creation of a surplus population. At the same time I was also thinking about the governor of Texas decisions to "open up" the state in the middle of a pandemic, ending all restrictions and social distancing measures. Together this made me think of Ogilvie's concept of a "disposable human being," (l'homme jetable), a concept, or rather mode of investigation that seems all the more important in an age in which much of the world is being treated as disposable. I was surprised to see that I had never directly blogged about this concept despite the fact that I had written about Ogilvie before. I did, however, have a reader's report I wrote on Ogilvie's book, arguing that it should be translated. It is a thorough review, but not the most engaging. I decided to repost it here in the spirit of generating interest in Ogilvie's work. 

Reduction to Ignorance: Spinoza in the Age of Conspiracy Theories

I was obsessed with conspiracy theories at some point in my adolescence. I listened to late night radio shows dedicated to alien abductions, satan messages on records, and a more local phenomena known as the mellonheads. These were jokes to me, or at least half jokes, I never took any of them seriously. However, they did contribute to growing sense that there was more to the world than what I was told. Adolescence and conspiracy theories go well together. In recent years, however, it increasingly seems like conspiracy theories have moved from the periphery to the mainstream, and from entertainment to politics. It is hard to avoid the fact that we are living through a profound transformation of knowledge, authority, and politics, and a revival of mystical and mythic forms of knowledge that go beyond any dialectic of enlightenment. It may then turn out that the old arguments regarding superstition have taken on a new relevance. As is often the case on this blog, I am starting here with Spinoza, I have a plan to continue this with a post on Hegel and then Marx, (we will see how it goes).

What's Love Got to Do With It? On Sarah Jaffe's Work Won't Love You Back

For the past ten years I have been teaching a class called The Politics and Philosophy of Work. At least once a semester someone mentions the phrase, or mantra, "Do what you love and you'll never have to work a day in your life." This bit of wisdom, which has been attributed to various different sources, is offered as the solution to all of the problems of work and of life. Like similar phrases of popular philosophy imploring us to live in the moment, or live each day like it is our last, its popularity is directly proportional to its disconnect with anything resembling reality.

Ghosting: The Long Life of Red Scares

 

from facebook

This post could be considered a follow up to my previous post on The Communist Manifesto.  In each case it is a matter of what could be considered an error of the Manifesto. I know that it seems wrong to pick on the Manifesto a text which is less an attempt to state everything than an intervention in a specific theoretical and political conjunction--a stunning one. My one real criticism of the Manifesto is that its length has led to be being seen as THE summation of Marx's position so that even Jordan Peterson can read it before debating Zizek. However, it is a useful text to confront some of the limitations of Marxist thought. As I argued in the previous post, the assertion of the ruthlessly modernizing of the bourgeois mode of production makes it difficult to grasp the way in which not all that is solid melts into air, some of keeps coming back. 

Everybody is a Troll to Somebody: On Chris Beckett's Two Tribes (partially)

 

More than once I have made the joke that if philosophy really wanted to go back to its Platonic (or Socratic roots) then it most recognizing trolling as the new sophists. Trolling seems to be a more relevant form of "anti-philosophy," to use Badiou's term, than Wittgenstein or Nietzsche if only because the former is more prevalent, shaping the arguments that make up what passes for the public sphere, and not just a few philosophy classrooms.

...as if it was Salvation: Dialectics of Obedience in Spinoza

 

I do not remember who made this meme, but I love it.

Dimitris Vardoulakis' Spinoza, the Epicurean: Authority and Utility in Materialism puts forward the bold thesis that there is a dialectic of authority and utility in Spinoza. That obedience is situated between authority, between the "Potestas" of kings and God, and utility, the potentia of intellect and bodies. It is from this perspective that Vardoulakis presents a reading of Spinoza's Tractatus Theologico-Politicus. Despite the title of the book, which suggests a more modest exegetical undertaking, the stakes of this are less a matter of simply tracing the epicurean dimensions of Spinoza's thought (although it does that) than using those threads to expand the stakes of Spinoza's political thought. Vardoulakis' book takes on not only other readers of Spinoza, Negri, Deleuze, Althusser, Balibar, and Sharp, but also the central question of Spinoza's thought, why do people fight for their servitude as if it was salvation?

Waiting for the Robots: Benanav and Smith on the Illusions of Automation and Realities of Exploitation

All images from Starstream

In the last month or so two remarkably similar books appeared, Aaron Benanav's Automation and the Future of Work and Jason E. Smith's Smart Machines and Service Work: Automation in an Age of Stagnation. The books are similar without being redundant. They are too similar to construct anything like a provocative debate between them. They are perhaps best viewed not just in terms of their polemics against certain fantasies or fears of automation but the way in which they constitute an emergent, or even dominant, sensibility and orientation of Marxist thought, one that makes sense of the present through the infamous tendency of the rate of profit to fall. 

Pop Culture Prophecy: Empire's Decline from Fantasy to Reality

All panels and art from Tim Truman Scout, Eclipse comics

During the odd grifter's interregnum of the last few weeks a particular image came to mind. The image, reproduced above, depicts the President of a dystopian American turning into a monster and clinging to power. I am not sure how it was jogged from my memory, but it seemed to fit the last few weeks since the election. It is from the comic book Scout written and drawn by Tim Truman and published by Eclipse Comics from 1985-1987. It was one of my favorite comics growing up even though judging by its status today, and conversations with other comics fans, it has been overlooked or forgotten. I haven't been able to forget it, and in many ways it seems to be a better guide to our present than the superheroes from the same era who have only become more central to popular culture. 

Solidarities: Negative, Symbolic, and Actual

 

As I write this the COVID-19 pandemic is returning to rates of infection and death in the US that exceed even the peak of last spring. The only difference is that, with a few exceptions, there are no new lockdowns. Schools are, partially in session, restaurants are open, and it might even be possible to go see a movie. The gap between the current crisis and the response is so wide that it has all of the feel of some kind of science fiction dystopia, noticing it feels like you are wearing the special glasses. I am sometimes find myself wanting to run through the streets screaming COVID-19 is still happening!

What Do Werewolves Dream of? On An American Werewolf in London

Of the three werewolf films that were released in 1981 An American Werewolf in London is that one that I have the strongest memory of even though it has had the least impact on me in the years that followed. Wolfen is a cult classic, and I am definitely in the cult, The Howling is a solid film, but An American Werewolf in London scared the hell out of me as a kid. This was in part because I saw it at far too young of an age. I do not know what my parents were thinking when they took me to it at ten, perhaps that it would be more comedy than horror, which makes sense given Blues Brothers and Animal House. All I really remember was asking to leave the theater after first werewolf attack scene on the moors, my parents tried to get me to stay, knowing that I loved monsters, but by the time Jack showed up as an ambulatory corpse I was done. We left the theater.  

Man is a Super-Villain to Man: The Boys and the limits of Satire

 

Horkheimer and Adorno had to invent the neologism the "culture industry" to criticize the subordination of culture to commerce, these days we can accomplish the same thing by just saying "comic book movies." Comic book movies, or, to be more specific "Marvel movies" has become a shorthand for getting at the intersection of branding, commerce, and culture. I would argue that this particular shorthand leaves too many terrible, cynical, and derivative products off of the hook, like the execrable Rise of the Skywalker and the latest sequels to Jurassic Park and Terminator, but that is not the point here. My point is the way that the Amazon series The Boys takes this idea of the superhero as a figure of cultural and commercial dominance and doubles down on it.

Ideological Tendencies: Machiavelli, Spinoza, Marx

Graphic by Joelle Glidden

 It is perhaps because my first real philosophical love was Gilles Deleuze that I have been drawn to the idea that traditions and precursors in philosophy where less a matter of hallowed traditions than retroactive constructions, framed by new readings and new problems. As much as I got this idea from Deleuze, I have been drawn to different inventions of traditions, Balibar's creation of transindividual thread in Spinoza, Hegel, Marx, and Freud; Althusser's creation of a subterranean current of aleatory materialism that encompasses Machiavelli, Spinoza, Rousseau, Marx, and Darwin (to name few); or Negri's creation of a tradition of constituent power. 

God's Fortune: Reading Machiavelli in Spinoza

 

Posing with Machiavelli and Spinoza

Since Vittorio Morfino's The Spinoza-Machiavelli Encounter: Time and Occasion is out in paperback, and since I am teaching both Machiavelli and Spinoza this semester, I thought that I would write a short response to the book. The strength of Morfino's book is how it manages to both do its due diligence, tracing the influences and intersections of Machiavelli and Spinoza, while simultaneously making that encounter something truly inventive. 

Another Dialectic of the Other Scene: This Time It is Tosel

Mr. Block He Meets Others

I am aware, but only vaguely aware, that there is a schism of sorts between so called "class reductionists" and "identity politics," between those who claim that matters of class and economics are all that matter and those that claim that such a reductive insistence on class overlooks the reality of oppression around race, gender, and sexuality. It is hard to summarize this lines of demarcation since it is less a debate than a series of epithets and insults, and to be honest I do not listen to enough podcasts to keep up. Anyone looking for a summary should look to Asad Haider, who has been doing some of the best work on this ongoing "debate" . 

Seeing the Better and Doing the Worse: The Assistant and Work

 

Kitty Green's The Assistant was immediately greeted as the film of the #metoo movement. It is hard not to see it that way. The film, referred to by the director/writer as "scripted non-fiction" deals with one day in the life of an assistant to a Hollywood producer, who, for all intents and purposes, seems like a Harvey Weinstein character, right down to the supply of aliprostadil syringes he keeps stocked in his office. What is interesting about the film is that we never seen this character, only hear his yelling voice and see his manipulative emails, the film is not interested in the proverbial "bad apple, " as Green puts it, but on structural conditions that make such a person possible. 

The Interruption of Individuation: Some Tertiary Retentions in Memory of Bernard Stiegler

In memory of Bernard Stiegler I thought that I would post the following excerpt from The Politics of Transindividuality.  As an introduction I will return to the idea of interruption that I wrote about in my first response to Stiegler.  

According to Stiegler, as much as Marx interrupted Hegel, positing proletarianization as that which interrupts the passage from slave to master, he never fully grasped the full implications of proletarianization. Which is to say Marx never grasped the extension of proletarianization from the hidden abode of production to consumption. Marx primarily examined consumption as a necessary endpoint and part of the economic process, but not as a transindividual individuation, a process of the production of subjectivity. The consumption of use values is predominantly left outside of the examination. While this is the dominant tendency, Marx’s writings do suggest that consumption needs to be historicized as the transformation of the mode of production, a transformation that includes its effects on social relations, but such remarks are marginal for reasons that are both historical and philosophical. Consumption at the time of Marx’s writing was only formally subsumed, as capital produced and circulated the commodities of food, clothing, and shelter that existed in previous economic conditions, hence the coats, coal, and linen that illustrate Capital. Which is not to say that Marx does not sometimes historicize consumption. Stiegler cites Marx’s statement in the Grundrisse that, ‘Hunger is hunger, but the hunger gratified by cooked meat eaten with a knife and fork is a different hunger from that which bolts down raw meat with the aid of hand, nail and tooth,’ as an oblique reference to the constitutive role of consumption.[1] However, such isolated remarks do not constitute anything like a theory of the mode of consumption, in which consumption is considered alongside production as a specific transindividual individuation.[2] While Stiegler’s comments would seem to contradict Marx’s theorization of the sphere of circulation as the production of “freedom, equality, and Bentham,” it is important to differentiate exchange, which produces individuals isolated and separated from each other and productive relations, and consumption, which demands a disindividuation that exceeds isolation. 

The Use and Abuse of Blockbusters for Life: Movies and Memes in the Age of Viral Collapse

Lately, I have been considering a hopelessly naive question, namely: What is popular culture for? Or, more to the point how does it function for us as culture, as a way to make sense of the world and express our desires. I have been prompted by this question by two unrelated events. First, I am currently preparing a Freshman Seminar on Politics and Culture which has me reviewing some of the classic arguments about the use and abuse of culture from Williams to Adorno and De Certeau. Second, and more immediately, when I am not working on this course or doing anything productive I am doing what nearly everyone is doing and that is trying to figure out what movie or TV show might pass the time of lockdown.

A Habitus for the Rest of Us: Lantoine on Spinoza and Disposition

Jacques-Louis Lantoine's L'Intelligence de la pratique: Le Concept de disposition chez Spinoza is a contribution to what I have called Spinozist Social Thought. Social thought here is understood as distinct from but not entirely separable from the political, social thought is more concerned with social relations, imitation, affect, and habits, rather rights, powers and states. The book is a dissertation completed under the guidance of Chantal Jaquet and Frédéric Lordon (among others), two of the thinkers at the center of this turn to the socio-political in and after Spinoza. It is also a follow up to Lantoine's Spinoza Après Bourdieu: Politiques des Dispositions.

The Most Dangerous Myths: On Ready or Not and The Hunt

Hollywood B pictures often come in twos. Somehow, almost inexplicably, we get two movies about undersea monsters, Leviathan and Deepstar Six, Volcanoes, Dante's Peak and Volcano, and asteroids hitting Earth, Armageddon and Deep Impact. Last year, in the brief interregnum between blockbusters and prestige pictures we got two pictures about people hunting people for sport, or at least we were supposed to.