Unwritten: On Richard Seymour's The Twittering Machine

Academia functions by specialization. We are all divided into our respective fields, philosophy, sociology, economics, political science, etc., and then once more into the subfields, methodologies, etc. Keeping on top of the relevant material keeps us in our little cells. Publish or perish to the extent that it still remains the law of the land has as its corollary survive by specialization. Academics are like exotic tropical fauna that survive only within a particular niche.

Breaking the Curse: On Three Recent Attempts to Theorize Neoliberalism

Moose and Lon Chaney Jr. on the set of The Wolfman

I could justify this by the way I have written about werewolves and capital, but the truth is that I just like it

To begin with something of a dialectic. The strength of neoliberalism as a concept is how expansive it is; it offers not just an account of capitalism, of economic relations, but culture, politics, and even subjectivity. The weakness of neoliberalism as a concept is how expansive it is, making it possible to call everything and anything from Uber to yoga neoliberal. It proposes a night when all cows are black, or, more to the point, when all cows are entrepreneurs of their direct farm to market line of organic milk products, as competition and entrepreneurial relations are everywhere. However, to borrow a line from Marx, this excess and limitation does not go from text books into reality, but from reality to textbooks. The instability and expansiveness of the concept might just have something to do the reality of the thing. 

Memories of a Ratman: Becoming Animal in Film, Literature, and Philosophy

Film has a strange status in Deleuze and Guattari's Capitalism and Schizophrenia. There is nothing like a theory of film in the two volumes; as much as the politics and economics of representation through regimes of signs, synthesis of recording, and assemblages of expression are theorized film is barely mentioned. The two volumes have more to say about television as medium than cinema, which will of course later be part of a two volume study by Deleuze. This is not to say that it is entirely absent, and when film does appear it is not as specific medium to be considered on its own but as an illustration of concepts and problems. Which is not to say that film is marginal these illustrations engage the central conceptual problems in each book. In Anti-Oedipus Nicholas Ray's Bigger than Life illustrates the socio-historical nature of desire beyond  family confines, and in A Thousand Plateaus the film Willard illustrates the concept of becoming animal.

Becoming Spider-Man: Deleuze and the Superhero Film

In the end of Cinema, Volume One: The Movement Image writes the following about the demise of the movement image:

Certainly people continue to make [movement image] films: the greatest commercial successes always take that route, but the soul of cinema no longer does. The soul of the cinema demands increasing thought even if thought begins by undoing the systems of actions, perceptions, and affections on which the cinema had fed up to that point. We hardly believe any longer that a global situation can give rise to an action which is capable of modifying it—no more than we believe that an action can force a situation to disclose itself, even partially.

It seems to me that Deleuze's picture of the movement image lingering on might be one way to make sense of the superhero film.

You Will Not Replace Us: On Jordan Peele's Latest

Us is a strange title for a horror film. "Them" and "It" are often the go to pronouns for horror, suggesting otherness and the unknown. In contrast to this "us" is often seen as the familiar, that which is generally threatened by some unknown "it" or "them." "Us" suggests unity not division, familiarity rather than fear, and would in general seem a more fitting title for a sappy romance than a horror movie. That Jordan Peele uses this title for his film suggests how uncanny it is, and how much the divisions between us and them are going to come under scrutiny. Jordan Peele's first film, Get Out hinged on the terror of the realization that one could be betrayed by one's most intimate relationships. While Us works with very different subtexts and cultural anxieties it takes that basic uncanny sense of the foreignness and hostility of what is most familiar to new and more twisted levels. 

The Devil is in the Details: Twilight Zone's Demonology of Capital

It is impossible to overstate how much a fan I was of The Twilight Zone.  I watched every episode of the old show, it was the reason that I had a small black and white TV in my bedroom growing up; subscribed to the magazine, a magazine which covered science fiction and published original short stories; and watched the movie and reboot. 

Boiling Frogbooks: Education's Past and Future

Portrait of the author as a Hampshire Student

I graduated from Hampshire College. Not only that, but I credit Hampshire for much of my early education. It is for this reason that I have followed the news about its current troubles very closely. Hampshire's troubles, and the possibility that the college could close, feel not just like the future being cancelled but the present as well. It is like watching one's very own condition of possibility disappear. I felt the same way about the elimination of the Philosophy, Interpretation, and Culture program at Binghamton University. It is like that scene in Looper where the character in the future is literally dissected by the past. 

Class Monsters, Or Monsters of Class: Simone Weil's Contribution to a Bestiary of the Present

Simone Weil's "Sketch of Contemporary Social Life" is a text that seems oddly prescient at every turn, making Weil appear to be a seer as much as the saint she is often made out to be. There are references to what later generations would call "the culture industry," "financialization," and even the  theories of the imaginary that dominant contemporary politics. 

Working Alone in America: On Lodge 49

The rise of "prestige television" could also be told as a story of the decline of the American dream. From Tony Soprano's nagging suspicion that "The best is over" to Frank Sobotka's assertion on The Wire that "We used to make shit in this country, build shit. Now we just put our hand in the next guy's pocket," so called prestige TV has been as much about the growing awareness of industrial decline as it has been sustained by complex narratives and characterization. Like a kind of Borgesian fable, American television has improved as the thing that it was about, daily life of the middle class, has unraveled. When nuclear families do appear they are just as likely to be fronts for Soviet spies or held together by lies and brutality. No show has taken this decline more literally than Lodge 49. At one point a character even utters the line "post-industrial capitalism."

Welcome to Bizarro World: Part One

Lately, I have been thinking of Bizarro World. This is odd since I never really read many Superman comics growing up. I was mostly into Marvel comics. What I know of Bizarro world comes mainly from watching cartoons and the general cultural osmosis, despite being an obscure comic book character Bizarro even made it onto Seinfeld. What has provoked me into thinking about it is not the cultural history of the term, but its contemporary relevance. We seem to be living in an inverted world of sorts: capitalists call themselves workers, white supremacists claim to be an oppressed minority, and so on. Everything seems upside down and backwards. 

It's Competition All the Way Down: On the Spontaneous Anthropology of Contemporary Capitalism

As much as people love to cite that ubiquitous remark by Fredric Jameson about the end of the world and the end of capitalism. You know the one. There is another, less discussed line, that covers the same terrain of ideological struggle and the limits of the imagination that I prefer. It is, “The market is in human nature’ is the proposition that cannot be allowed to stand unchallenged; in my opinion, it is the most crucial terrain of ideological struggle in our time.”   

Lensgrinding: Spinoza on Work

With all of the attention on Spinoza by Marxists is is surprising how little is written about Spinoza and work. Spinoza has provided theories of ideology, of alienation, and even of the relation between forces and relations of production, it is surprising that few have remarked on what Spinoza actually says about labor or work. This is perhaps due to the fact that it would appear that there is little there, Spinoza's interests were elsewhere. There are only a few references to work in Spinoza, but I would argue that they are significant. 

Transvaluation of Values: On Lordon's La Condition Anarchique

A glimpse of the cover, title, and timing of Lordon's latest book, La Condition Anarchique might lead one to suspect that the anarchic condition it refers to has something to do with financial crises. Which goes to reaffirm what they say about books and covers. The anarchic condition that Lordon is writing about not only has nothing to do with anarchism, nor with some kind of chaos, but with the very existence of values and norms. 

We Once Were Ungovernable: On Chamayou's La Société Ingouvernable

Perhaps the best way to make sense of the present order is to consider first the disorder, the contestation of the old order. This could be considered the autonomist hypothesis applied to politics, and it is the underlying method of Grégoire Chamayou’s La société ingouvernable: Une généalogie du libéralisme autoritaire. 

Year of the Wolf, Part Two : On The Howling

Years ago I wrote what I jokingly consider my contribution to "Wolfen Studies."The other contributions to the field being Evan Calder Williams Combined and Uneven Apocalypse and Alberto Toscano and Jeff Kinkle's Cartographies of the Absolute.  In the comments to that post it was pointed out to me that Wolfen was one of three werewolf movies to be released in 1981; the other two films were The Howling and An American Werewolf in London. I initially thought of writing a post on all three, but dropped the idea. Now, years later, I returned to the notion. This October I have been watching a lot of old horror favorites from Hammer films to some classics from the eighties. I decided to rewatch The Howling. 

Halo's Return: Two Versions of the Religion of Capital

Image from They Live 

Sometimes students ask me if I think that Marx was wrong about anything. Marxists are supposedly not known for independent thought. I always have a quick and easy answer, the point of reference is not something deep in Volume Three, but in one of the most well known and most cited passages of all. I am referring to the following passage from The Communist Manifesto. 

The Myth of the Paid Protester

This is probably the worst way to begin a blog post, but I can't shake the figure of the paid protester. I am less interested in the rights fascination with George Soros (something that others could analyze better) than I am with the particular mythology of the paid protester. Although, I will say this about the former, the specter of a billionaire using his money to influence politics seems strange coming from people who ostensibly have no categorical problem with billionaires using their money to influence politics. I guess it could be understood as part of the spectacular division of capital, just as there are "woke" and "MAGA" brands, there are woke and MAGA billionaires, opposition to the specific actions of one circumvents any discussion of the entire system. 

Logic of Alternation: From Mind and Body to Material Conditions and Ideology

Presented at McGill September 2018

This is a longer version of something I posted here, presented for a discussion of Chantal Jaquet's Affects, Actions, and Passions in Spinoza. 

I intend to approach Chantal Jaquet’s interpretation of the mind and body in Spinoza somewhat obliquely by examining its possible implications for a social theory. In doing so I am following a fairly recent tendency to view Spinoza as not just an important political thinker, but also one whose account of affects, imagination, and knowledge offers profound insight on social and political life. I am thinking here explicitly of Yves Citton and Frédérique Lordon's Spinoza et les science sociales, but also more broadly Jaquet’s own work on transclasses which uses a Spinozist anthropology and ontology to examine the reproduction and nonreproduction of social relations. That is not the book that we are here to discuss, so I would like to begin my remarks on Affects, Actions, and Passions in Spinoza by putting forward something of an axiom, every interpretation of the relation of mind and body in Spinoza necessary has profound implications for how one thinks of social and political relations. 

(In)finitude's Score: On André Tosel

In some sense this is a belated response to André Tosel's passing last year. When Tosel died I was only vaguely aware of his name, I may have read an essay on Spinoza or Balibar here or there, but only knew his work by reputation. It was the initial wave of responses to Tosel's death especially this interview on Revue Période that got me interested in reading Tosel. I started by reading Spinoza ou l'autre (in)finitude and have gone through the little Emancipations aujourd'hui? Études sur Marx (et Engels), Du Retour du Religieux, and Le Marxisme du 20e Siècle, with a few more on the way.

Real World Experience: On Yves Schwartz's Experience et Connaissance du Travail.

Image from the Simpsons and Frinkiac. 

Two thoughts immediately come to mind when considering Yves Schwartz's Experience et Connaissance du Travail. The first, which provides the inspiration for the image above, is the absurdity of dragging around a nearly nine hundred French book on worker's experience and knowledge. The second, somewhat more relevant thought, is that the book in some way feels like a missing element from my education. I never heard it mentioned before I dug deep into some of the writing on work coming out of France, but I know its references from Georges Canguilhem, who wrote the introduction, to Althusser, Foucault, Levi-Strauss, and Bourdieu. I partially understand why it never was translated or made it across the Atlantic, aside from the length it is indebted to many figures that never became part of "theory," Lucien Sève for one, but the fact that it is a book on experience written under the direction of Georges Canghuilhem should at least be of interest. Foucault famously posited a line of demarcation between philosophers of experience, existentialism and phenomenology, and philosophers of the concept, Canghuilhem, the philosophy of science. Schwartz is describing an experience that is irreducible to lived experience because it exceeds and situates life, or more to the point, living labor. 

Imaginary But For Real: On Blackkklansman

Blackkklansman has come under criticism for twisting its true story into the shape of a cop film, warping any criticism of the structural violence of racism beyond recognition in the process. As Joshua Clover writes, "It is a police film the way Get Out is a horror film, adopting genre conventions to think through a particular set of problems about blackness." Except whereas Get Out uses horror to drive home the horrors of race, Blackkklansman would seem to defuse any critical force it might have in the morality and politics of the cop film.

Conscious Organs: Toward an Anthropology of Labor Power

Presented in Rome in May 2018

Conference Draft 

Buried in the back of Volume Three of Capital, Marx puts forward a thesis of determination that is different from the familiar assertion of a base. As In Volume Marx writes, 

It is in each case the direct relationship of the owners of production to the immediate producers—a relationship whose particular form naturally corresponds always to a certain level of development of the type and manner of labour, and hence to its social productive power—in which we find the innermost secret, the hidden basis of the entire social edifice and hence also the political form of the relationship of sovereignty and dependence, in short, the specific form of the state in each case. 

Cold Call Man: On Sorry to Bother You

There is no film this year that I have anticipated more than Sorry to Bother You. I have been a fan of Boots Riley since I first learned about The Coup years ago. I have heard about this film for years; bought the album but eschewed reading the published screenplay. The latter seemed like admitting defeat and I desperately wanted to see this film get made. The first rule of movies, at least in Hollywood, is that anticipation is the enemy of enjoyment. Of course this is usually because most films fail to meet our expectations, the trailer would have been enough; it is rare that a film not only exceeds our expectations but calls them into question. 

How Voluntary is Your Servitude? Voluntary Servitude from La Boétie to Marx

I have always been fairly comfortable with Deleuze and Guattari's assertion of the fundamental political question, drawing a line from Spinoza through Reich to their own writing. As Deleuze and Guattari write. 

"Why do men fight for their servitude as stubbornly as if it were their own salvation? How can people possibly reach the point of shouting “More taxes! Less bread!”?…The astonishing thing is not that some people steal or that others occasionally go on strike, but rather that all those who are starving do not steal as a regular practice, and all those who are exploited are not continually out on strike"

The Primitive Accumulation of Prehistory: On the Jurassic Park films

As a kid I was obsessed with dinosaurs. I know that there is nothing unique about this and that is precisely why I relate it. My obsession took place at a time before there was an adequate pop culture outlet for that expression. It was before the Jurassic Park films before even The Land Before Time films. So I sought out every dinosaur film I could whenever they played on the afternoon or late night movie, The Land that Time Forgot, The Last Dinosaur, Dinosaurus, etc., These films were hard to come by, and many of them are not very good at all. There is a story told in my family, a legend of sorts, of the night we all ended up in a motel while taking the yearly pilgrimage to visit the grandparents, flipped through channels only to stumble upon a showing of the  Valley of the Gwangi.  Not a great dinosaur film but one that nonetheless benefitted from the work of Ray Harryhausen. It was a different time, one defined by the scarcity of cultural products rather than their proliferation. Dinosaur films were hard to come by, and good ones less so, so a dinosaur obsessed kid took what they could.

Calling Bullshit: On Graeber's Bullshit Jobs

Graeber's book Bullshit Jobs is the kind of book I generally avoid. It is an expanded version of an essay originally published in Strike magazine. For the most part I find articles turned into books to be largely filler. The original essay or article made the point, and did so succinctly; expanding it into a book largely entails adding more and more examples with maybe a little bit of context and clarification. However, Graeber's essay was provocative enough, and close enough to my interests that I decided to read it. 

Philosophers at Work: On Alexis Cukier's Que'est-ce que le travail?

Kathi Week's book The Problem with Work opens with a paradox of sorts: political theorist should be interested in work, work makes up the most immediate and daily experience of power, hierarchy, and command, but work is considered private and social rather than political so it falls outside of the purview of political theory. A similar paradox could be said to open Alexis Cukier's book, Qu'est-ce que le travail?. Philosophers should be interested in work, work and labor are intimately implicated in not only our concepts of subjectivity and society but also transformation and change, but is rarely given the centrality it deserves. Work is simultaneously too quotidian and too broad to generate much philosophical interest.

Divisions of the Imagination: Imaginations of Division

What follows is neither the presentation I gave in Milan (in the picture above), nor the one from Rome (indicated in the picture below), but a combination of both, or more importantly, of the thoughts that emerge from the questions and conversations that followed each presentation. Why would we go to conferences after all if not to have our thoughts confronted and transformed by the ideas of others? 

Slogans and Concepts: More on The Young Marx

I was asked to write a longer review of The Young Marx to be published in Italian. I am posting the English here.

Wave of Mutilation: Marx and Spinoza in Fischbach's Philosophies de Marx

Nothing in the title or the structure of Franck Fischbach's Philosophies de Marx suggests a return to the Marx/Spinoza relation explored in La Production des hommes: Marx Avec Spinoza. The title plainly states that it is a consideration of Marx's philosophy, and the book is organized to consider Marx's philosophical practice through three different philosophical intersections, hence the plural, the philosophy of activity, social philosophy, and critical philosophy. Despite this focus on Marx, and Fischbach's turn away from the specificity of the Marx/Spinoza relation in later works that have broadened the considerations of questions of activity and the social to include everything from Heidegger to Dewey, the book on Marx ends up returning to the productivity of the Marx/Spinoza relation in the margins. 

Biographies Real and Imagined: On Peck and Barker

When I was in college I took a class on Contemporary Political Thought with Dana Villa. He would introduce every thinker, from Nietzsche to Foucault, with a few anecdotes told manly to amuse, stories of Adorno's meeting with Chaplin and the caricature of Lukács in Magic Mountain. Once the biographical gossip was dispensed with we could move onto discussing the text at hand. It is perhaps because of this that I have never been much interested in biography. 

The Means of Individuation: Castel on the Dialectics of Individuality

Images by Jacques Villeglé 

In the essay publishes as the conclusion to La Montée des Incertitudes: Travail, Protections, statut de l'individu Robert Castel gives a genealogy of the contemporary individual. First, in a line of thinking that would seem to parallel Etienne Balibar because it is one of his sources, Castel argues that the modern individual is founded upon property. As Locke argued, Though the earth, and all inferior creatures, be common to all men, yet every man has a property in his own person: this no body has any right to but himself." As Castel stresses this connection between property and individuation is not a theoretical assertion but a practice as well. Bourgeois modernity is founded upon the reciprocal connection of the individual and property.

Spectacular Compromise: Or, On the Accuracy of Broken Clocks

Much to my surprise I am going to begin this post with a citation of Ross Douthat. In a recent column titled "Woke Capital" Douthat argues that the current social consciousness of some corporations should be read along the lines of the the "Treaty of Detroit," in which the UAW agreed not to strike in exchange for benefits and cost of living increases. That Fordist compromise frames the basis by which we should understand the contemporary neoliberal compromise, a compromise not based on wages or productivity but image and identity. As Douthat writes, 

Anti-Aesthetics: Or, Towards a Spinozist Theory of Cultural Production

 Images from the short lived Black Panther and the Crew

In all of the various attempts to produce and reproduce Spinozism, creating a Spinozist account of society, economy, and politics, little attention has been paid to Spinoza's aesthetics, or really anti-aesthetics. This Anti-Aesthetics is sketched between a few scattered propositions, scholium, and other remarks that address the basis of judgements of taste and value, at every point it shows that any aesthetics is at best an inadequate idea, making effects into causes, and at worst a kind of alienation. 

Losing Strategies: Negative Solidarity as Practice

Once in class a student said, "Bernie Sanders wants to give free tuition to everyone: I can't pay for everyone else's tuition I am having a hard enough time just paying for my own." My interest in this statement has less to do with the merits of Bernie Sanders campaign, or such promises, than its strange logic. I admit that I almost had a stifle a laugh when this was uttered in class. I wasn't trying to be mean, but I thought that the student must be joking. When I saw that he wasn't, that he did not grasp the contradiction at the heart of what he was saying, it struck me as a stunning example of negative solidarity. 

Work Like It is 1999: A Year of the Refusal of Work in Film

On first glance nothing much connects American Beauty, Fight Club, and Office Space except the fact that they came out in the same year, 1999. They are distinct in terms of their genres, middle brow prestige picture, pseudo underground action thriller, and comedy, and their reception; the first was a critically lauded Oscar winner, the second a critically reviled cult film, while the third found its audience through repeat viewings on cable, making it a more passive sort of cult film. Despite these differences of genre and audience they are linked in that all films about the refusal of work. 

Make Monsters Great Again: Timeliness and Untimeliness in The Shape of Water

Guillermo Del Toro's The Shape of Water is an odd and improbable creature, a monster movie that is a critical darling. The critical responses for the movie have themselves understood the movie as a different sort of chimera, a combination of "fairy tale" and nostalgia film, something at once timeless and caught in its own relation to a vanishing past. 

Dead Ideas Live On: On Elizabeth Anderson's Private Government

I decided to illustrate this post with images from

the Bowdoin College Museum's show on Soviet Art

Reading Elizabeth Anderson's Private Government: How Employers Rule Our Lives (and Why We Don't Talk About It) was an interested and somewhat bewildering experience. At first I thought that I agreed with everything she said, but only differed in how I would say it--a difference of philosophical style or orientation--but, the more I read, the more I thought that there might be some substance to this difference of style. 

Economism These Days: On Kids These Days

I started reading Malcolm Harris' Kids These Days: Human Capital and the Making of  Millennials in probably the ideal location and context. I was visiting my mother at a retirement community in Florida for Christmas. I was reading it by the pool when I actually overheard someone go on about "kids today" and their phones and video games. The general worry about the current generation was all around me. 

Small Concept: On Downsizing

Matt Damon has the odd distinction of staring in two science fiction dystopias, one bleak action movie the other farce, that are absolutely confused on the role of work and capitalism. The first was Elysium and the most recent is Downsizing. The confusion is not just a product of the director or screenwriter's particular confusion, but is in some sense symptomatic of a more general ideological elision in which capitalism is lived but never named, or, more to the point, never named because it is lived--just like the proverbial fish in water. 

Immanent Cause: Between Reproduction and Nonreproduction

Presented in Santiago, Chile 

Of all the various provocations in Lire le Capital there is perhaps none more provocative than structural causality. In this case the provocation can be measured in this case in the gap between the implications of the concept, its effects on social relations, subjectivity, and history, and its formulation, which is provisional and partial—mutilated as Spinoza might say. Structural or metonymic causality posits that the economy and society, base and superstructure, is neither a linear transitive cause, nor a relation of expression, but a cause which only exists in and through its effects. Or, put otherwise, the effects of the economy in the spheres of ideology must be thought of as causes as much as effects, as conditions of its reproduction. Framed in this way the concept of “structural (or immanent) causality” is not just a concept limited to its appearance in Lire le Capital, but it becomes integral to Althusser’s later examination of ideology and reproduction. Reproduction is the necessary condition for seeing ideology as not just an effect of economic structures but their necessary precondition. Reproduction is another way of viewing the immanent nature of the mode of production, how its effects in the sphere of subjectivity and social relations, become necessary conditions.  Althusser’s writing shows a different trajectory, not only did reproduction become the specific theme of Sur la Reproduction, but the manuscripts on “aleatory materialism” also return to reproduction, thinking necessity from contingency, as the becoming necessary of the encounter. It is a matter of thinking the coexistence of reproduction and non-reproduction, which is to say class struggle, without resorting to a voluntarist conception of political action. Non-reproduction must be as immanent as reproduction, the conditions of the unraveling of a given mode of production must be as integral to it as its perpetuation. It is this trajectory which has been taken up by subsequent readers of not only Althusser, but of Spinoza and Marx as well. 

Conscienta Sive ideologia: The Spontaneity of Ideology

A Bento/Marx image

In Des Universels Etienne Balibar writes, “Conscientia sive ideologia” (Consciousness, that is ideology). Balibar’s formulation is applied to Marx, specifically to the theorization of ideology from The German Ideology, but its word brings to mind Spinoza’s famous Deus sive natura, his strategy of the sive in which philosophical oppositions are overcome with the assertion of their fundamentally interchangeability. It is at once a Spinozist injoke and a provocation, the strategy of the “sive” does not just identify two terms, but opens the question of their identity and difference. Between the joke and the provocation is of course Louis Althusser, not just because Althusser was both a Spinozist and a Marxist, but because Althusser’s various formulations of ideology, formulations indebted to both Spinoza and Marx, continually thought ideology in both its spontaneity and its universality, seeing it as coexistent experience and consciousness. Such an assertion, as with all strategies of the sive, raises as many difficulties and questions as it resolves. These questions hinge on the way in which the concept of ideology is caught between universality and specificity, structural condition and particular content, or, ultimately, between necessity and contingency, an integral element of experience or a particular effect of a given social formation. The closer ideology gets to being coextensive with consciousness, the more it loses its socio-historical specificity, becoming something like a constitutive error, or antinomy of thought. The extension on the epistemic register is not without its effects on politics, if ideology is coextensive with consciousness, than what possibilities are there for radical critique and change? The opposite pole is no less fraught with difficulties, ideologies considered in terms of its specific content and concepts, as bourgeois, capitalist, or neoliberal, raises the question of its conditions of production and dissemination, at worst collapsing into a kind a conspiracy. Ideology is caught between the poles of necessity and contingency, form and content, and structure and history. 

Macabre Goes Mainstream: A Halloween Story

Painting by Jon Read

I will begin with the personal story. At some point in my awkward adolescent years when I was too old to trick or treat yet not yet old enough to do anything else on Halloween I was left with the responsibility of giving out candy. Left alone and somewhat bored I decided to make it fun. In between rings of the doorbell I gathered up an old "Creature from the Black Lagoon" mask and my "Chilling, Thrilling Sounds of the Haunted House." The record supplied atmosphere and then I would jump out from behind the door. As the night went on I became more creative, leaving a hatchet covered in ketchup in view of the door, placing an iron black cat doorstop in the window, and so on. My brother soon came home and found scaring kids to be way more fun than going door to door getting candy.

Scenes of Violence: Between Ultraobjective and Ultrasubjective Forms of Violence

How to make sense of the daily brutality that seems to surround us? Balibar's Violence and Civility can be seen as offering a sort of solution to this problem. Balibar's solution is framed in terms of three moves. First, he dubs inconvertible violence cruelty, the name suggests an excess, or in Balibar's terms inconvertible form of violence; it is violence that cannot be placed on any trajectory of progress, even the cunning of reason. Second, cruelty is differentiated in terms of ultraobjective violence, the violence of populations that are exposed to natural disasters, wars, or the effects of the market. This is violence without a face or name.  Ultraobjective is contrasted to the cruelty of ultrasubjective violence, violence that is not only intended, with a face and name, but often is aimed a particular group. Third, and this is the most important point, there is the question of the relation between these two forms of violence, unified under the same name, but differentiated.  As Balibar writes,

How Can It Not Know What It Is? On Blade Runner 2049

I think that I may have grown up watching Blade Runner. I do not mean that I watched the film several times growing up, although that is probably the case, but something happened when I first watched it that was integral to growing up. All of this is because I grew up, in the first sense, watching Harrison Ford play a hero; Star Wars and Raiders of the Lost Ark were a big part of my childhood imagination. I had the toys and I am sure I went as Indiana Jones one Halloween. So when I saw Blade Runner for the first time, I think on VHS, I expected the same comic book morality of good versus evil and the same wisecracking character (Let's just be honest and admit that Han Solo and Indiana Jones are basically the same character). The movie both thwarted and ultimately exceeded my expectations: in its failure to live up to my action packed expectations it redefined what made a good film. I do not think that I could watch films again in the same way; incidentally, I am fairly sure that it was my attempt to see the film on the big screen a few years later that drew me to my local art house theater, the Cleveland Cinematheque. It is not just that Blade Runner has a formal connection to film noir and larger film world, for me it had an anecdotal one as well. 

Said and Unsaid: From the Critique of Hypocrisy to Symptomatic Reading

The critique of hypocrisy did not begin with Trump, but it has been fueled by his campaign and presidency. It is hard not to see signs of hypocrisy everywhere, in the leaders of the evangelical community who have rallied behind a philanderer who has admitted sexual abuse; in generals who have stood behind the tough guy rhetoric of a draft dodger whose idea of discipline is getting seconds on dessert; and even in so-called business leaders who kowtow to a man who has gone bankrupt six times running a casino (you know, where the house always wins). As much as Trump represents the culmination of hypocrisy critique he also represents its limit. None of these critiques have stuck. 

Knock-off Soviet Kitsch: On Comrade Detective

Has Slavoj Zizek written about Comrade Detective yet? It seems to be the perfect show for him, not just for its setting behind the iron curtain, but its central premise is that of a "subject supposed to believe." Comrade Detective is a show streaming on Amazon. Its central premise, or gag, is that it is ersatz Soviet Bloc propaganda. The show is made to look as if it is a Romanian detective show from the nineteen-eighties; it is shot with Romanian actors (but modern production values) the dialogue is then dubbed by actors such as Channing Tatum and Joseph Gordon-Levitt. 

Beyond Enslavement and Subjection: Deviations from Deleuze and Guattari

Paper Presented at the above conference. 

Since publication plans have fallen through 

I am posting a draft of it here

One of the minor theoretical interventions of A Thousand Plateaus, minor because it seems to retrace and recapitulate arguments made by others, is the distinction between social subjection and machinic enslavement. As Deleuze and Guattari write,

There is enslavement when human beings themselves are constituent pieces of a machine that they compose among themselves and with other things (animal, tools), under the control and direction of a higher unity. But there is subjection when the higher unity constitutes the human being as a subject linked to a new exterior object, which can be an animal, a tool, or even a machine. [1]

This distinction is made in the plateau titled “Apparatus of Capture”, and it is subordinated to the larger focus of articulating the relation between the state and market. It makes up no more than two pages, and in many senses seems to borrow from its general theoretical milieu of the sixties and seventies. Machinic enslavement would seem to carry with it the entire history of alienation of dehumanization that makes the individual part of the machine. Social subjection bares traces of Althusser’s famous declaration that “ideology interpellates individuals as subjects,” or of the general “critique of the subject” developed through Althusser and Foucault. Its only innovation, the only point that goes beyond a general citation of concepts that are the general background of Deleuze and Guattari’s particular conceptual innovations, is in presenting these concepts less as theoretical alternatives, pitting humanism against post-humanism, than as different aspects of the same machine, the same apparatus of capture. That is perhaps not the only philosophical innovation and transformation, the distinction between enslavement and subjection carries with it a larger series of references, not just the immediate precursors of Althusser and Foucault but more distant antecedents of Marx and Gilbert Simondon, but its implications exceed the distinction between part and whole to encompass not only the already mentioned division between the state and market, but also the intersection between technology and politics. Far from being a simple terminological distinction the division between enslavement and subjection opens up a way to think the history of different formations of subjectivity, and the tensions internal to them in their historicity.

Pop Nazi: History and Repetition

In The Atlantic Ta-Nehisi Coates writes the following about HBO's plans to create a show called Confederate about an alternate reality in which the south won the civil war,

Knowing this, we do not have to wait to point out that comparisons between Confederate and The Man in the High Castle are fatuous. Nazi Germany was also defeated. But while its surviving leadership was put on trial before the world, not one author of the Confederacy was convicted of treason. Nazi Foreign Minister Joachim von Ribbentrop was hanged at Nuremberg. Confederate General John B. Gordon became a senator. Germany has spent the decades since World War II in national penance for Nazi crimes. America spent the decades after the Civil War transforming Confederate crimes into virtues. It is illegal to fly the Nazi flag in Germany. The Confederate flag is enmeshed in the state flag of Mississippi.

Three Interpretations In Search of a Proposition: A Sketch of Spinozist Materialism

Possibly a Portrait of Spinoza 

As I have stated on this blog, and elsewhere, a materialist reading of Spinoza perhaps begins with EIIP7 and its related demonstrations and scholium. "The order and connection of ideas is the same as the order and connection of things." In place of hierarchy and causal impact Spinoza places ideas and things in a relation of identity and non-identity. How exactly to articulate this relation has lead to multiple interpretations. I would like to highlight three, Deleuze, Macherey, and Jaquet. The selection and order of authors reflects my own encounters and reading, the seemingly contingent order of nature, and not a necessary conceptual progression.